#the closest we get is him talking about the characters who inspired him to be a gentleman

[rosenbergi]

The fact Gonta doesn’t get to info dump in his FTEs is a crime, that man is a category 4 autism moment waiting to happen and they didn’t let him info dump.

[e-vay]

SONIC 3 REVIEW

I wanted to wait a few weeks to give many people the chance to see Sonic 3 before I wrote a review, but of course I'll keep it under the cut for those who still haven't seen it.

DISCLAIMERS!

I acknowledge that the Sonic Cinematic Universe is a SEPARATE interpretation of the Sonic franchise so I will never dock it points for doing things different than we've seen in the games. These movies are inspired by the Sonic the Hedgehog video games, they are not direct adaptations. I have no sympathy for anyone who complains these movies get things 'wrong' about the games.

I acknowledge that the Sonic movies are family films marketed towards children, so some of the writing and plot devices are simplified or toned down for younger audiences. However, that won't stop me from pointing out some plot holes.

My review is just my opinion. I'm not saying I'm right or that you're wrong if you disagree.

I'm so damn excited to finally talk about it and I have SO MUCH to say, so buckle up!

TL;DR: I give Sonic 3 a score of 9/10, just barely shy of being an absolutely perfect movie! There were some editing choices and some plot holes that made me dock minor points. These nitpicks are small and almost insignificant compared to the whole of the film, but they stood out enough to bother me and they're why I can't give it a perfect rating.

Let's start with the positives.

CAST & CHARACTERS - 10/10

TL;DR - With a star-studded cast, it's almost impossible to say any one actor/character outshined the others. Every single person was on their A-game for this movie and gave emotional, hilarious, all-out performances.

Jim Carrey as both Ivo and Gerald Robotnik is genius! He plays both characters so differently that you could almost believe they were being played by two different people -- minus the tongue-in-cheek way the movie reminds you that they're the same person.

This iteration of Gerald is unlike any we've seen before, which kept me on my toes the entire time I was watching. He comes onto the scene fully claiming that he's a villain, but still he manages to suckerpunch you (and Ivo) with the final reveal of his ultimate plan. You would think that the same old man who was just doing a choreographed dance performance 20 minutes ago couldn't tear your heart out without even the use of words when we see him mourning the loss of his granddaughter, and then fill you with spine-chilling terror as he uses his whole chest to exclaim he's going to 'burn it all down!', but damn did Jim Carrey do that and more! This movie (and Jim Carrey alike) managed to make Gerald both the major comic relief of the movie AND simultaneously made him one of the most despicable villains in the franchise so far. His utter lack of compassion for Shadow or Ivo, using both of them as his puppets, really shows you how little this man values even those who are supposed to be closest to him. I encourage you to rewatch the movie and really appreciate the dynamic range we were given of this character in under a 2 hour window.

Ivo is back and better than ever, baby (despite what Tails says)! Though I liked the initial, unexpected take on his character in Sonic 1, it has been beyond satisfying to see the evil doctor's descent into madness, all culminating into THE Eggman we recognize from the games! Seeing him in the iconic Eggman suit was like seeing my baby in her gown for prom. I was one proud mama! Sonic 3 sends Ivo on an emotional rollercoaster and we not only get to see him the silliest he's ever been, but your heart truly breaks for him by the end of the film. Honestly, I'm still gutted over Gerald's "Ivo, you're no Maria" line! One thing I particularly loved is that repeatedly throughout this franchise, Ivo has mentioned how society has always rejected him, he's had nobody who loves him (except Stone ofc) and he's repeatedly reminded he's a failure. Yet at the end of this film, he's given the chance to live up to his real potential and Team Sonic (and Shadow (and all of Earth while we're at it)) wouldn't have stood a chance without him. With Ivo seemingly dead, this was a heartfelt, tearjerking, beautiful sendoff for Eggman in a way that doesn't feel forced and gives Jim Carrey the chance to excuse himself should he decide he no longer wants to be a part of the future movies. BUT if he does decide to come back (and it's sounding like he does) -- c'mon, y'all don't really think Shadow would have just left Eggman to die, do you? He absolutely could have teleported them both outta there at the last minute.

SHADOW. 👏👏👏 This was without a doubt, the BEST depiction of Shadow I have ever seen! Keanu Reeves and the animators put everything into this rendition of Shadow and I was moved to tears on several occasions. This movie gave us an emotional, heartbroken Shadow who doesn't mask his feelings. Even before losing Maria, we see that Shadow is someone who struggles with understanding who he is, where he comes from and what his purpose is. He's subjected to constant testing and when he's not 'in use,' he's seemingly stowed away in the dark for later. It isn't until Maria shows up and befriends him that we get to see that he's just a regular person. He's curious about music and dancing, he enjoys play and stargazing, he's self-conscious. And then the transformation he takes after being betrayed and losing his loved ones, UGH! Keanu Reeves freaking NAILS it in every single scene! One of the moments that stood out the most to me and physically gave me goosebumps was when Shadow begins to question if destroying the planet is what Maria would have wanted and Gerald convinces him to focus on the pain that was left from her death. When Shadow's charging the Eclipse Cannon and reliving the most devastating moment of his life, you can hear his rage just in the way he's breathing! Keanu Reeves doesn't even speak any words in that scene but I could feel every drop of anger and regret and hatred in his performance. But also he delivered some very funny lines too and at least to me, it didn't feel forced. I also really liked that Keanu Reeves did research for this character and actually 'created' a voice for Shadow instead of using his normal voice. (I strongly recommend watching this clip where he talks about how he came up with 'the voice'. It's fascinating and such a delight). I think a lot of people might have initially thought having him voice Shadow was cool but kind of a joke, but he took the role very seriously and I feel he made an effort to separate himself from Shadow. His voice scratched my brain in the most satisfying way lol. I wish he could permanently voice Shadow from now on, but at least I can always imagine his voice whenever I read or play any Shadow content. Also, Shadow's character model was GOR-GEOUS. He was so handsome and badass and also I love, love, LOVE the amount of contrast between him and Sonic. EVEN DOWN TO THE DETAILS IN THE TEXTILES OF THEIR GLOVES. Sonic's gloves appear to be cotton so they're soft and warm and porous -- a fabric that comforts and lets things in. Shadow's gloves are leather -- a fabric that's firm, resistant, impenetrable. SO MUCH thought and detail went into designing Shadow. AND SUPER SHADOW OH MYGOOOODDDDDDDD. He looked like an angel! I have always loved Super Shadow's platinum design in the games, but giving him the extra detail of iridescent and rose gold quills in the movie was so freaking beautiful. I truly can't fault a single thing about him in this movie. A thousand kisses to Keanu Shadow.

TEAM SONIC. That's right, I'm addressing the group here because this movie really treated each member of Team Sonic as equals and I loved it. Sonic may be the leader, but Knuckles packed this movie full of action, heart and laughs. Idris Elba and the writers found a great balance for Knuckles in that he delivered what I thought were some of the funniest lines of the film, but it didn't lessen the impact of his more serious scenes. When Knuckles is arguing with Sonic about using the Chaos Emeralds, there is so much tension and I feel like they really nailed the gravity of that fight. Knuckles ultimately chooses not to battle Sonic, but I felt that him reminding Sonic of their oath and pointing out that Sonic is breaking it was actually MORE of a punishment than a punch to the face. We also really got to see Knuckles 'THE GUARDIAN" in this movie which I greatly appreciated. We see a lot of Knuckles "the fighter" where he's quick to throw fists, but there were many moments in Sonic 3 where he got to serve as a proper protector. I cried when he caught Sonic and Tails and even after they're safe he's just holding them, the three of them a battered mess in the cornfield! AH MY HEART!

Speaking of my heart-- Tails you good boy! Tails showed so much growth between Sonic 2 and Sonic 3 and I was so proud of him! He's still cute as can be and still has moments of childlike wonder, but he played a significantly larger role in this movie and showed a lot of maturity. He's quick to come up with plans but he is also actually in the action instead of shouting from the sidelines. I also really liked that during the bleakest part of the film, it's actually Tails who is trying to console Sonic about what's happened to Tom. You know things are bad when it's the baby sibling who attempts to be the emotionally strong one and comfort the older sibling. And I love that it's Tails and Knuckles who help Ivo to steer the Eclipse Cannon away from the Earth. It would have been easy to just sideline them and have them hope that Super Sonic and Super Shadow could handle things, but that diminishes the value of Team Sonic. The movie made it very clear that their teamwork is what made them so strong and it was through all of their combined efforts that the Earth was saved in the end. Sonic and Shadow could not have done it alone, even with the combined power of the Chaos Emeralds. I feel like a broken record by saying this but it has to be said: Colleen O'Shaughnessey killed it as Tails yet again. Go queen!

This might come as a surprise to some, but the Sonic in this movie is my favorite we've seen throughout the SCU franchise so far. I have heard people criticize that Sonic was a little 'boring' or 'underwhelming' during the first 2 acts of the movie, but I actually perceived that as intentional by design. At this point in Sonic's life, he's used to the whole hero thing. He's saved the world multiple times by now so it makes sense to me that he's become complacent and doesn't really take the time to consider how potentially dangerous a threat can be (I mean think about it, he nearly gets lasered-to-death via the forcefield at G.U.N. Headquarters just because he had to be a silly goof and do a tour of London NOW of all times! Yes it's funny and in-character and I still loved that scene ((and loved that it gave Tails a shining moment to save him)), but c'mon Sonic you almost fucked up the entire plan because you just had to do your goofy thing!). So when Shadow shows up and kicks his ass not once, but MULTIPLE times--and then he nearly loses his father figure TWICE--it serves as a rude awakening. He learns that there is a price to pay for being blasé, underestimating the gravity of a situation and not sticking to a plan, and that's where he dramatically overcompensates and goes on a vengeful arc. And vengeful Sonic is FUCKING. FANTASTIC. I think we as an audience can forget how lethal Sonic can be because he's normally so playful and silly, so to see him lock in and not hold back is actually pretty terrifying (but in a great way!). Ben Schwartz was AMAZING in this portion of the movie. I find him to be one of the funniest comedians on the planet, but I couldn't believe it was the same guy during this act. He dug deep and gave such a compelling performance full of anguish and hatred that I honestly didn't realize he was capable of. But most importantly--he was able to rein it in when it mattered most and Sonic didn't lose himself before it was too late. Sonic is not a perfect character, but one of the things that makes him such a great hero is that he always manages to hold on to the light that's inside of him. I always appreciate Sonic's motivational speeches and I loved that when he's having the heart-to-heart with Shadow, the emphasis is about who you are and the good that comes from the love you have for others. It's heavy and important but was delivered in a way that was easily digestible for younger viewers without diminishing the meaning of the message. However, what I found even more moving in this scene was the moment of silence that Sonic and Shadow share on the moon. It was so poignant and I'm glad they held that moment of stillness and quiet. By the end of the movie, we do get our loveable Sonic back but he acknowledges the mistakes he made and regrets putting everyone in danger because of his reckless decisions. Each movie builds up his character more and more and I think as long as they don't backpedal, Sonic's in store for some incredible things! ALSO! Just like I said with Shadow, I freaking LOVED Sonic's character model in this one! I love that we are seeing him physically growing up and maturing instead of being forever stuck in place (no shade to the games). This character model is SO much taller and stockier than the model in Sonic 1 and is evidence that not only is he emotionally maturing, but he's physically aging up as well. It's just so cool!

I absolutely adored Alyla Browne's portrayal of Maria in this movie! She was so charming and instantly loveable the moment she was onscreen. I've noticed many people highlighting the part where she draws the bunny face on Shadow (which I love) but even the seconds before that where she mocks his scowl INSTANTLY won me over. And she even gets Shadow to smile because of it! The smile is small and only visible for a few frames, but it's there! It was clear that this girl saw more to this alien than a menacing, dangerous little space demon and wasn't gonna put up with his charade. It's no wonder the two of them became fast friends. I don't know about you, but I have been STARVED of ARK Sibling content since Shadow's very first introduction so I was obsessed with every single scene we got of the two of them actually getting to spend time together. I do love drama but so far all we've seen is the ARK tragedy and rarely any of the highlights before that event. Yes the SCU is a different universe, but this filled a hole in my heart that I've been waiting on for years. It did not disappoint!

I also want to highlight Agent Stone. Listen, I've loved Lee Majdoub since Sonic 1, but his character is at his best in this movie. Agent Stone was proper badass in Sonic 3 and proved that he's far more than just a simple henchman. It's revealed that with Ivo sulking and remaining in hiding, Stone has stepped up and is constantly monitoring what's going on in the outside world and immediately jumps into action when he notices the doctor's tech being used by someone else. Eggman wasn't even aware of it and yet Stone is out there shutting it down and bringing back reinforcements to clear Eggman's name! That super suit?? And those MOTORCYCLE TRICKS?? And him dodging a freaking ROCKET like it ain't no thing??? Hell yeah, Stone! Lee Majdoub is so funny and I love how he can be so quiet and stoic around Eggman ( "Resourceful.") but he can also be so over the top like when he's mocking the hell out of Knuckles ("Įt'Ŝ 𝕋𝒽𝒆 ⓖ𝓸Ａ𝐓 𝔪𝕀ŁҜє𝓡!... Relax.") and both just work so well! I think it's further evidence of why he makes such a good partner for Eggman because they're both capable of some intense power but they're also both such weirdos. I loved the amount of emotion and vulnerability Stone had in this movie. He's always had an allegiance to Eggman and even in Sonic 2 we saw how much he missed the doctor while he was away and how enthusiastic he was when he learned he was alive, but it went a lot deeper in this film. We got to learn that there's a much stronger affinity there and Stone legitimately cares about Robotnik and supports him through thick and thin. Personally, I ship Stobotnik, so this movie gave me plenty of delicious food! But even if you don't ship it, I think it was so significant to show the depth to Stone and Robotnik's relationship and I believe that it was Stone's affection for the doctor (romantic or platonic) that ultimately made Eggman save the world in the end. Though I'm still hoping for Jim Carrey to come back, I think they set things up so Stone could take up the EggMantle in a seamless way and I sure wouldn't be mad about it!

[Allow me to pause for a deep inhale of breath...]

Ä̷͇̰̞́Ȁ̷̭̩̰̔͐Ấ̶̝̗̠A̴͉͗A̵̳̠̚ͅA̵̫̋Ḿ̴͕Y̴̨̯̆Y̷͖͍̜̓͝Ỹ̵͍̺͑̕Y̸̜̫̆͋͋Y̶͕̫̱̾̐!!!!!!!!!!!!!!!!!! 😭💖💖💖💖💖💖😘😘😘😘😍😍😍😍😍😍🥰🥰🥰🥰🥰💖💖💖💖💖💖💖💖 My beloved! My most darling angel! My reason for waking up in the morning! SHE MADE IT! Amy is my favorite character of all time and I told y'all I was gonna throw up if she wasn't in this movie, so you'd better believe I SCREAMED when her hammer appeared in the post-credits scene! When she walked up and pulled back the hood of her cloak I was in tears and I was TREMBLING! I'm sure they're going to make changes to her once they finalize her design for Sonic 4, but this reveal was so freaking good and got me so excited for the next movie. Her character model is already so beautiful and I love that they turned the tables and have her rescuing Sonic this time! I cannot wait to see what they have in store!!!!!!!!!!!!!!! (Metal Sonic was cool too btw)

ACTION - 10/10

TL;DR - Highspeed fun that has you on the edge of your seat for every single minute of screen time!

This movie is NONSTOP. I wasn't bored for a single second and by the time we hit the credits I couldn't believe how much time had passed. Every fight scene was so perfectly choreographed and so RAMPED UP that it had me stunned. There's a joke early in the movie that Sonic/Tails/Knuckles' antics are capable of cataclysmic events but the movie delivers on that promise a multitude of times! From city-wide power outages to mini-black holes to volcanic eruptions, there's no shortage of chaos and action in this movie!

You guys. The first time I saw this movie, I was at a prescreening so I was among critics and people from the media instead of a group of fans. It took EVERYTHING WITHIN ME to contain my glee. I was PHYSICALLY BALLED UP, knees pulled to my chest, palms pressed to my face to try to stay quiet. My heart burst through the roof of my skull! Even when I went to go see it for a fourth time, my heart was still racing. I actually had my friend feel my pulse as proof. This movie just gets you so excited it's insane!

The fact that the movie BEGAN with Shadow's breakout... god bless it. God bless everyone who worked on it. It was so intense and heartpumping! And I loved the choice to have little-to-no music during Shadow's fight with the soldiers. It just added to the tension and didn't give you any hint of when and where Shadow was going to teleport next. This was basically a scene from a horror movie! It set the entire tone for the film and showed that Shadow was NOT to be messed with.

I seriously could describe how much I loved every action scene but I will be here forever so I won't, but I have to say-

THE ✨SUPER✨ SCENES. OH. MY. 🎶GO~~~~OD🎶!!!!!!!!!!!!!

I had high hopes and expectations we were going to see Super Shadow in this one, but never in my lifetime did I think we were going to finally see Super Sonic VERSUS Super Shadow!!! Holy hell, what a fight! We get to finally see what two god-mode characters are capable of when they're out to kill each other and aren't showing any mercy. EACH PUNCH LAUNCHING THE OPPONENT ACROSS THE FREAKING PLANET?!??!?? That editing choice in particular is one of my absolute FAVORITE things about this movie. There's a million ways this fight could have been done but showing just how fast and how strong these two are--- even causing the earth to split open and erupt just from one of them pushing off the ground--really shows just how minuscule and inferior us humans are hahaha. We wouldn't stand a freaking CHANCE. AND SONIC PUNCHES SHADOW TO THE MOON?!

ALSO THEY EACH TOOK TURNS PUNCHING THE SUPER OUT OF EACH OTHER!???!!!

I'm having to pause as I'm writing this because even though I've seen this movie four times I'm still getting so worked up just thinking about these action scenes again that I'm struggling to breathe omg

Even better than Super Sonic VERSUS Super Shadow was that final team up. That CLAP and they both turn super had me WEAK. I just about fainted right then but thank god I didn't because that entire sequence was INCREDIBLE. That little exchange of Sonic saying "Ready to recycle some tin cans?" and Shadow rolling his shoulder and saying "Try to keep up" before launching into a flurry of attacks is TATTOOED ON MY BRAIN. It will never leave my mind. It gave us SA2 and MORE. The battle was a masterpiece and it's something that words truly can't describe, you just have to witness it in all it's glory. I will never be normal about that fight scene.

One more moment I want to highlight because it shows action in nontraditional ways -- I am infatuated with the way they depicted Eggman and Shadow's last moments of saving the earth from the Eclipse Cannon. There was just something in the slow, labored movements that Jim Carrey made to show him attempting to block the explosions with shields, and the quietness of Shadow pushing the exterior of the ship with his hands and the metal is just crushing under his palms from the force. It isn't a moment of fast punches or flashing lights but it was so damn powerful and I absolutely loved it.

VISUALS - 10/10

TL;DR - Stellar effects and cinematography not only make for a delightful experience for your eyes but further immerse us into this fictional world.

WOW! I already touched on this in my above notes but seriously this movie was just beautiful. The character models were so good and felt real despite being cartoons (which goes to show you don't need them to look hyper-realistic to convince me it's a living creature). The lighting and the framing of shots were not only visually appealing but helped further the emotions of the scenes. The neon lights bouncing off Shadow in the rain as he's slowly walking down the streets of Shibuya was a WORK OF ART. Even all the moments of chaos and destruction were portrayed so well and so crisp that not only were they beautiful to look at -- I could actually tell what was going on! I watch a lot of action films and it gets so frustrating when there's so many explosions, lens flares, camera whips, etc that I can't actually make out what's happening. I never had that problem in this movie!

FAN SERVICE - 10/10

TL;DR - No, not that kind of fan service. This was a film FOR the fans!

I already said that the cinematic universe is clearly separate from the game universe. However, there were so many delightful little treats for fans of the games that felt like all the creators of this movie reached out and hugged me and said "This is for you!" BLESS! I won't list out all the Easter eggs and scene-recreations because there are too many, but man the joy I felt in sitting there and thinking "I KNOW THAT REFERENCE!" was healing to my soul. I figured "Live and Learn" was going to show up in some way because we heard the tune in the trailer, but I didn't realize how often and in how many different ways it would play throughout the movie! Starting out the movie with a memory of Maria playing "Live and Learn" on the guitar had me clutching my chest and I knew I was gonna be emotionally wrecked by this film! I loved the orchestral version of the song during the final battle which took an already badass theme and made it even more epic, but I do love that they included a snippet with the original lyrics too.

I don't know why people get so upset with these movies not being 100% like the games when it's clear that the people who work on these movies care so much about the games and want to reward us fans who love the games, too. Think about the scene where Shadow goes to push the Eclipse Cannon and he removes his inhibitor rings. That was specifically for us fans. The movie never explains what his inhibitor rings are or what they do or why he's removing them. Not knowing what the inhibitor rings are doesn't detract from the movie--but if you play the games you KNOW the significance of that moment. That was written and animated FOR YOU to enjoy. What's not to love about that???

DRAMAAAA~

Again, I know these SCU movies are marketed as family films and are more aimed for children, but I love that the movies are evolving and 'maturing' over time instead of repeating the same simple formula of some children's movies. With each Sonic movie that comes out, the themes and story are getting deeper and heavier without losing it's whimsy and fun. It's done in a way that feels like a natural progression and growth and I don't think the heavier subject matter will deter anyone who watched the previous two movies.

⭐BONUS POINTS!⭐

This is a hot take and I know many people are gonna disagree, but I was so pleased with there being LESS focus on the humans in this story (minus the Robotniks+Stone, of course). I do not care about the Wachowskis. I do not care about the Whipples. I understand why they were initially in the movies and I understand that Sonic considers the Wachowskis as his parents now, but I don't go to these movies to see the humans attending weddings or doing other sideplot shenanigans. I'm here for the aliens, damn it! So to have the humans' appearances mostly diminished to scenes that specifically related to the main plot was a huge relief to me!

THANK YOU SONIC 3.

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I could talk endlessly about this movie and even though I've written what feels like an entire essay there's still tons I'm leaving out, but to try to move this review along I'm going to move on to the negatives. Again, none of these below items were enough to ruin the movie for me and individually they aren't even worth a full point as far as a review. But ultimately these are things that I couldn't shake after watching and it's why I felt I had to dock the movie a single point in total.

EDITING WHIPLASH

I've already complimented this movie by several of the editing choices that were made, but there's one moment in particular that totally took me out of it and I'm sure you can guess what I'm going to say... Yes, it was the frequent cutting between the Super Hedgehogs and the Robotniks. Don't get me wrong -- individually these scenes were great. Ivo versus Gerald was hilarious and I did enjoy it and yes it was important to the plot -- but how DARE you interrupt my Super Sonic and Super Shadow fight with mustache wrestling! Whiplash is the best word I can use to describe how I felt in this moment. Sonic and Shadow fighting all of the robots and lasers to get to the Cannon was so dynamic and so intense and so spectacular, that when it suddenly cut away to Eggman getting spanked by a giant mech hand, I felt like I just got slapped across the face. My heart had just been racing so fast and then you cut away? Then I'm starting to calm down and just enjoy the Robotnik fight for the silliness but then it cuts BACK to the epic power of Sonic and Shadow --- and you do it AGAIN?! It just killed me!

I saw an edit somebody made where they spliced all of the super fight scenes together and removed the Robotnik fight and as you can imagine, it was infinitely better. You actually had the time to be fully enraptured by the battle and get to absorb every awesome second of it.

The Robotnik fight was still necessary (and yes, even the way they killed Gerald was hilarious to me and I still laugh even now) but they really should have edited this part of the movie better in my opinion.

PLOT HOLE -- ARE WE MISSING PART OF THE SCRIPT?

Although I think the writing for this movie was overall great, I felt there were key elements missing from the G.U.N. plot line that was meant to drive the narrative. This led me to think... was there a deleted scene and the filmmakers thought nobody would care/question it? Here are the things that I felt the movie did not clearly address:

1: Why are Team Sonic and Commander Walters close allies now? G.U.N. and Walters were previously antagonists in these films. Yes, at the end of Sonic 2 Commander Walters gives up his goal of capturing Sonic, but surrendering isn't the same as forming a partnership. Why is Team Sonic on-call for G.U.N. missions at Walters' requests all of a sudden? Then there's the scene in the Chao Garden. Why do Team Sonic and Walters meet up without anyone else from G.U.N. knowing about it? Why does Sonic trust Walters more than the rest of G.U.N.? I understand Sonic is a hero and especially in these movies he likes to see the good in people, but throughout these movies Walters ALWAYS lies. In Sonic 2, not only does Walters/G.U.N. fabricate an entire wedding as a sting operation to capture Sonic, but Walters lies when he claims that G.U.N. was formed because of Sonic's misadventures in San Francisco. In Sonic 3 we learn that G.U.N. was around for Project Shadow in the 70s. Nobody calls him out on this. Even in the Chao Garden scene, Walters is lying to Sonic about Shadow's history! He tells Sonic that Maria was killed in a terrible accident and Gerald was blamed for it. It was no accident! Soldiers showed up with guns and when Walters tried to stop them, they said "We have our orders." Sure, shooting the canister of chaos energy was not the intention and so the explosion itself was an accident, but those soldiers had every intent on taking Maria and Gerald out (if not Shadow as well). I'm sure Walters left that detail out to keep Sonic from asking further questions, but that makes him all the more of an unreliable storyteller and someone Sonic should NOT trust.

2: Why doesn't Walters trust G.U.N.? When Walters is injured in the Chao Garden attack, he gives Sonic one of the keys to the Eclipse Cannon and tells him that Sonic's the only person he trusts to keep it safe. Walters is the commander of G.U.N. -- surely he would trust a member of his team to hold onto the key, right? And if he doesn't, WHY? If you watched the Knuckles series then you know that there are indeed rogue members of G.U.N., but people watching the movie don't know that. Walters telling Sonic to keep the key safe from everyone suddenly puts Sonic on heightened alert and makes him believe he can't trust anyone, but we aren't given a reason why. Even if Walters simply had a line saying "I worry there's corruption in G.U.N." then I would have been satisfied.

3: Why is Team Sonic stealing the second key? Once the Team learns that there is a second key to the Eclipse Cannon and that the Robotniks are planning to steal it, they devise a heist to steal the second key themselves. Why? Walters didn't tell Sonic about a second key or tell him to retrieve the second key. Doesn't that mean Walters believes the safest place for the second key is where it's currently stored: at G.U.N. headquarters? Team Sonic knew Robotnik was en route, so the wisest option would have been to alert G.U.N. so they could heighten security and be on the lookout (which turns out, they already were). Again, all of this would make sense if Sonic was given an explicit reason to not trust G.U.N. and was specifically told to keep the keyS away from them, but at this point he went from trusting them to suddenly trying to take both keys from them. I loved the heist scenes and I don't want them removed, I feel they just need justification.

4: What is Director Rockwell's problem? It's clear that Rockwell is not a fan of Team Sonic (some people just can't trust aliens) but it seemed her character was going a certain direction and then just... stopped. After Walters is killed, the first thing she does is check his pocket for the key. Surely Walters would have known that Director Rockwell would have checked his pockets, especially since she was in Tokyo at the time of his death, again going back to my question of why he wouldn't trust her to retrieve the key instead of handing it over to Sonic? I was fully expecting a reveal of her being a rogue agent, especially because Team Sonic was still trying to take the second key even after the Robotniks had been thwarted. Think about it -- G.U.N. has stopped the Robotniks (and Team Sonic) from stealing the second key. That was the whole point, right? So why is Tom now trying to take the key FROM Rockwell? Isn't the key safely where it belongs and the Robotniks are supposedly in custody? So again, was there a reason Rockwell wasn't meant to be trusted, but we just don't know? I really felt like she was being set up to be a villain, but it led nowhere.

Now a lot of the elements I just addressed can be inferred and we can use context clues to guess, but I think it's the writers' job (especially in a family film) to make it clear why characters are making the choices/decisions they're making, at least by the time you reach the end of the movie. I know some stories are more ambiguous than others, but to me it felt like something was missing. I guess we'll see if there's anything hidden in deleted scenes.

FINAL THOUGHTS

As a whole, I absolutely loved this movie and I am so thankful it exists. I can't wait for Sonic 4 and I hope it receives just as much hype, love and attention that this movie did! If you read my entire review, thank you! I hope you enjoyed it, even if you didn't agree with all of it :)

[sakuraszn]

ⵌ ECHOES OF WHAT COULD BE !

ft. Izuku midoriya x fem. reader

synopsis. Izuku quietly harbors feelings for someone he knows he can never have. He watches from the sidelines, silently suffering as his heart breaks piece by piece, helplessly observing his friend fall for someone else.

cw. sfw content upcoming!! ┊angst ┊unrequited love┊unspoken feelings┊this takes place during highschool.

nia’s notes. I haven’t wrote in forever..I highkey missed it soo I’m back n ready to come out with a bunch of content for u guys! I got inspiration from a song called: girl by the internet. 0.9k words.

Izuku Midoriya had always been the type to wear his heart on his sleeve. He was gentle, his spirit was kind, and his dreams vast. But, despite those wonderful qualities that he has there was one thing he couldn’t bring himself to do: confess his love to the person he loved the most.

when it came to his feelings for you, he kept them locked away, buried deep within the confines of his heart. The dreams of becoming a great hero and harvesting the power of one for all were already a monumental task, and adding the complexities of love to his already chaotic life seemed like an insuperable challenge. So, he chose to keep his feelings at bay when the time was right.

you must be wondering how his feelings started for you, yeah? well, it all started during the second year at UA high school.

By then, you and Izuku had become among the closest of friends, like two sides of a coin, always together. Anywhere he went, you were right by his side, and vice versa.

Izuku has always admired your inspiration to help others even when it’s not needed.

Your presence had a way of lighting up a room, and your devoted attitude knew no bounds. All those things about you just had him in a chokehold and lured him to you like a cartoon character flying in the air for pie. He often grappled with the question: why couldn’t he muster the courage to confess his true feelings for you? It was a struggle he faced daily, a quiet battle that kept him awake at night. Each time he thought about disclosing his heart, fear crept in, wrapping around him like an unshakeable cloud.

Instead, he chose to remain in the background, silently observing as you drew closer to Shoto Todoroki, the charming boy who seemed to effortlessly grab the attention of everyone in the class.

Izuku couldn't help but feel a twinge of envy stirred within him lately every time he saw you and shoto together. You two were always laughing, sharing inside jokes, and supporting each other in ways that made Izuku's heartache. he could see the way your beautiful eyes sparkled when you looked at shoto, the way you would easily get flushed whenever he was near. It was clear to everyone, including Izuku, that you, y/n, had fallen for shoto.

Weeks dragged on, and the interactions between Izuku and you widened painfully. He still crossed your path often, still fought beside you in battles that demanded trust and unity, but the ease of your conversations had vanished. Laughter that once echoed between you now felt forced, awkward—a fragile reminder of what used to be.

One evening, the sky bled crimson as the sun dipped below the horizon. You stumbled upon him outside the dormitories, alone and consumed by his relentless training. His kicks sliced through the air with a desperation that mirrored the turmoil in your heart. It was as if the rhythmic motions were a futile attempt to keep the ghosts of your shared moments at bay. You stood in the shadows, unsure whether to approach or linger in the silence that had grown so thick between you.

“Deku,” you said softly. “Can we talk?”

He glanced up, jolted by your sudden approach, the gravity in your voice catching him off guard.

“Of course.”

You stood there hesitantly with your hands fidgeting nervously with the hem of your skirt. “I’ve been meaning to tell you something. It’s about Todoroki.���

Izuku’s heart sank quickly. He nodded, bracing himself for the knowing words that were about to come out of your mouth.

“I… I think I like him,” she admitted, your cheeks tinged with warmness. “I’m not sure how he feels, but I wanted to tell you because… well, you’re my closest friend, and I value your opinion.” The words hung heavy in the air, and Izuku felt like someone plunged him with a knife and twist it in his stomach.

Izuku forced a smile, but inside, a storm raged. “That’s great, y/n. Todoroki’s a great guy.” Each word felt like a dagger, carving into his chest as he fought to maintain his composure.

“You think so?” she asked, her eyes searching his face for the reassurance she desperately wanted, unaware of the uneasiness brewing beneath his calm surface.

“Yeah.” The word slipped out, almost a whisper, his voice trembling just enough to betray the shambles within. “I think you’d make a great couple.”

The weight of her smile hit him like a shipment train, a bittersweet wave of comfort washing over her while he stood there, drowning in his own heartache. “Thanks, Deku. That means a lot.” Her gratitude pierced through him, leaving an aching void where hope once flickered, a crushing reminder of what could never be.

As you walked away, exchanging bittersweet goodbyes, Izuku let out a shaky breath, his hand pressing against his chest, overwhelmed by an aching nothingness. The words he desperately wanted to say felt heavy and trapped in his throat, swallowed by a paralyzing fear that gnawed at his heart. A deep sense of regret washed over him as he watched her figure recede into the distance, every step pulling her further away from him. He couldn't shake the painful thought that if he had only conjured the courage to confess his feelings sooner, maybe, just maybe, things could have been different.

He also understood that some things were better left unsaid. As he gazed up at the now dark sky, the weight of unspoken words hung heavy in the air, a bittersweet reminder of the moments lost to silence.

©sakuraszn! xoxo

[seaofwine]

What do you like about the Odyssey? Besides some entertaining episodes (e.g. Circe or Calypso), I've never really been able to get into the Odyssey as a whole (I find the first 5 books especially dull). The Iliad really speaks to me more.

It's hard to really pinpoint what I like most about it but I love to talk about the Odyssey so I hope you like long posts hahaha

The first five books act as the exposition. When the Iliad ends, there's a general understanding that most of the surviving characters made it home. Menelaus and Helen have reunited, the catalyst for the Trojan War has been resolved. Agamemnon traversed the sea and made it back, and although he was killed by his wife Clytemnestra, there is no question about where he is; unlike Odysseus.

Telemachus has spent his entire youth without a father. When he finally decides to set out from Ithaca to find any leads on where Odysseus is, he is confronted with the fact that most everyone else has been accounted for. He sees Menelaus and Helen, the order of their kingdom, the comfort they have in each other and the bonds they have restored. Telemachus has known nothing but uncertainty, while his mother is forced to weave lies and deceptions to keep the suitors that plague their home at bay. The first five books really show how important one man can be when he is utterly lost, and what it would mean for everyone who loves him should he be found. These books also show the close interest that Athena, as patron of Odysseus, takes in his family. She steps into the chaos of Ithaca and gives Telemachus the inspiration to embark on his own journey, chasing the ghost of his still-living father.

When we finally reach Odysseus, he is not the same man that those who knew him in Troy described. They are the closest Telemachus can come to knowing what came of his father, but even they are separated by nearly a decade and the breadth of the sea. Penelope hasn't laid eyes on her husband in twenty years, there is no overestimating what that can do to a person's memory. Odysseus's first action is to cry. When finally Calypso is forced to allow Odysseus to leave, by order of Hermes, he makes his own raft and leaves at the first possible moment. He is fighting against the will of Poseidon, against the wrath he incurred, all alone. He has lost every single one of his men, every single person who could ever vouch for his identity, in a world where no one could recognize him, is gone. Despite this, he is still fighting to get back to Ithaca.

Odysseus is so utterly human in the text. When he is hosted by Alcinous, Odysseus asks the singer there to recount the story of the Trojan Horse. It's like landing at the doorstep of a stranger who graciously allows you to stay and immediately asking his DJ to play *your own* greatest hits - which in turn only upsets him. This also sets up the dramatic reveal of his identity (I like to imagine him looking around like, you guys remember this one? Yeah that's Me, I pinkie promise. Please give me 4000 drachmae and your best oarsmen (: ).

He recounts the story of how he got so utterly lost on the way back and one thing the Odyssey will tell you, to your face over and over again, is that Odysseus is a big time liar. But for some reason, his tale is so compelling it's hard to remind yourself of that when hearing it for the first time. Some points are so beyond baffling (like striking Polyphemus in the singular eye the poor sod has, and then once to the safety of his boat (which is on open water, the domain of said cyclops's father) loudly announcing his full gods-given name and mailing address, just in case anyone missed who it was) that it's like, yeah that was probably exactly what he did. This is the section of the story where we see Odysseus as he sees himself. This is his own reflection of the actions he made and the troubles that befell him because of it.

Odysseus is such a complex character that one of the epithets he is given is "polytropos", the many-faced or many-sided. Odysseus and his relationship to his own identity, which he can shed and don at any point that's convenient for him, is one of the main reasons I am obsessed with his story. This, and the exploration in an ancient text about what a close relationship with a deity, is something I am constantly thinking about.

[raven-at-the-writing-desk]

Realized upon that hometown events' guest characters are those who are close with SSR card main characters. And I'm not saying because they are family or close friends.

Jamil - They could picked either of Jamil's parents yet decided upon Najma. Why? Because he and his parents' relationship are complicated and Najma is someone that he is close to the most and can be himself without worried about hierarchy. They even have typically sibling relationship where Najma mess with him but never outright cruel to him. (Love how she stole the shawarma)

Epel - Well Epel is a family man and he is close with each of the family relatives. I'm sure the reason it's Marja is because she is involved with the sled competition more than his family even looks like her the most (once he gets old). I mean it's hilarious how Idia fangirls Marja because she is inspiration of his favorite character.

Leona - they could have picked Farena since Cheka was already present but they picked Kifaji which is surprising given the last two are family members yet the guest character is the Twisted version of Zazu (but still interesting to have another twisted version of a Disney character). The reason is probably because he isn't close with Farena despite his brother caring about Leona that much but knowing his overblot backstory, he despise him since he is the heir and how people praise him while they badmouthed Leona. While Kifaji and Leona aren't really close, he is one of the few that Kifaji treated him well without discriminating him especially from the chess game. Kifaji is basically like a parent or an uncle to Leona and given Leona's family issues, he is close to someone than any of his family.

Deuce - knowing well about what he said about his mother, it's obvious that his mother is the guest character. Not to mentioned, the only person he is close to the most. Since he left the gang to leave a better life and how he treated everyone disrespectful and no known relatives except for his grandmother, his mother is closest person he has and how he'll do everything for his mother.

Vil - so far one of the two overblot boys (with Azul being the other one) are the ones without family problems (Idia seems to have caring parents but the family business is complicated for chapter 6 and 7 reasons). Obviously Vil will have his own father be the guest character because he is a great dad to Vil who doesn't abuse nor neglect him. Vil even talks proudly about his father.

So based on that, it's not just relationship towards the SSR but also how they are close to one another without ill-intentions nor trauma. So I have feeling the next hometown events will be similar to which the SSR closest to be the guest character.

Like for example, Azul's guest character could be his mother because he proudly talks about his mother and how he is happy that he married her divorce lawyer. I can picture tweels' guest character to be either their parents.

Now the only issues on who is closest to are the Lilia, Silver, Riddle's, Shroud brothers', and Malleus'.

Lilia and Silver are eachother's relatives and doesn't seem to have anyone they talk to outside of the family (Baul and Zigvolt don't really count especially when Baul ready debuted and felt they would be Sebek's guest characters). We already seen through the Shroud's parents and I doubt that Idia has someone close and Ortho is extroverted but I'm not sure what their hometown is like besides Styx. Do they have other children or anyone close to?

Malleus's family is complicated and we know about Senate. So he would likely have his grandmother.

Riddle for obvious reasons...

So this is just my speculation.

I believe it has been stated that the manga intentionally blacks out the face of Mrs. Rosehearts because she is viewed as the source of Riddle’s trauma. It keeps her in this shadowy, untouchable status and maintains the idea that the darkness of the past still impacts us in present day. I anticipate that this will hold and become the pattern for each OB boy’s flashback sequences. (We’ll soon see!)

If that’s the case for the manga, then it makes sense for the game to do something similar by purposefully keeping the faces of figures who play a significant role in each OB boy’s trauma a secret. That means likely no Mrs. Rosehearts, similar to how we did not meet the Viper parents in A Firelit Sky nor Farena/Falena in Tamashina Mina. However, some parents are clearly still fair game since they do have a good relationship with their son (Mrs. Ashengrotto and Azul, for example.). We see an example of this with Eric Venue showing up in Tapis Rouge.

It makes sense to meet family members whom the SSR boy has a good relationship with; running into a family member that stresses them out would kill the fun and easygoing vibes of the hometown event and would instead present an interpersonal issue that runs too deep to be resolved in a satisfying way before the event’s conclusion. Imagine a hometown event in which we have to stay over in Riddle’s home and we witness his parents fighting?? 😔 I don’t think that’s something that could be “fixed” in like 5 parts… Of course, not every family is perfect and that’s valid. It’s just not the scope or the perspective that TWST hometown events want or are equipped to deal with.

I feel like any of the Ocatrio’s family are pretty fair game? Despite how sketchy they are, Azul, Floyd, and Jade seem to be on good terms with all of their family members (well, maybe excluding Azul’s biological father) and learned many important things from them. I am, once again, asking TWST for a Coral Sea hometown event… 🤚 ✋ *holds out hands*

I’m sure that the characters who don’t have obvious family members to meet/yet to be revealed will have some other substitution? Probably a new character that’s twisted from another Disney character (similar to Kifaji). Maybe we’ll see a new noble fae that Lilia knows, Silver’s guardian fae that blessed him at birth, or prominent STYX staff (like maybe twisted Pain or Panic?).

For Malleus, his only living relative is his grandmother, sooo… I guess he’ll introduce us to the reigning monarch if he’s the SSR of a Briar Valley hometown event 😂 Malleus does what Leona won’t…

[angelwishess]

—⋆𐙚₊˚⊹ THEORY TIME : Crowley Summoned Yuu ?! ( ˶°ㅁ°) !!

Before I begin, I’d like to give credit to @cheshiresaf on TikTok for inspiring this theory! Seeing their thoughts on the matter made me want to dive into the topic myself and give my own thoughts and opinions on the matter !

Reminders, this is all just speculation ! I have no concrete proof of any of this being canon in the slightest ! This is just a theory to make some sense of things, or atleast try to.

This theory will be cut into two parts, one focusing on the Opening scene and the second focusing on the Prologue.

Without further ado, lets begin !

Ever since I first downloaded TWST, the opening scene always bothered me. It was never really the scene itself, it was the fact that it was never brought up in the game afterwards.

The closest thing we get to a character acknowledging what happened was Yuu mentioning to Crowley how they remember “Seeing a horse with a scary face” / “Passing through a dark forest” in the prologue.

But after that, its never really brought up again. I had always wondered, ‘Why?’

I waited, played through the game wondering if it would ever be mentioned— But it never was.

Eventually, even I forgot about it. But after seeing that theory on TikTok, my curiosity flared up again.

Now, I was finally able to redownload TWST since I recently just got a new phone. So, I paid much closer attention to the opening scene.

—₊˚⊹ Part One : The Opening “Mirror” Scene.

Ill be talking about these two shots of dialogue first. What interests me is the way Crowley is speaking. Although you can obviously tell it is Crowley, it isnt seem as playful nor as dramatic as he usually speaks. He spoke somewhat more seriously than usual here, and, it seems like hes speaking directly into the mirror— or, more specifically, he is speaking directly to us, as Yuu.

With no one else in the room, Crowley speaks without his dramatic flair, with no room for playfulness. He speaks directly into the dark mirror— speaks directly to the person behind it. The person he knows hes talking to. The one hes trying to summon.

The definition of “Benefactor” is a person who gives money or other help to a person or cause.

Though, its pretty well known that Yuu is always helping around NRC (whether by will or not) and Crowley is almost always the one to take advantage of this— I doubt that is what he is referring to.

No, Crowley knows something. This was all on purpose, Yuu coming to Twisted Wonderland, to Night Raven, it was all on purpose. Ill research more into Crowley later, but for now lets focus on whats being said in the opening scene.

He definetly has plans, and he knows Yuu has more capabilities than what is known so far.

What interested me the most, though, is the wording right after referring to us as his “esteemed benefactor”.

“My proud, beautiful flower of evil”. This one sentence truly had me thinking, because what did he mean by this?

Well, the only thing I could think of is the vague hint that Yuu is much, much more than they seem. When you think about it, Yuu is strange in many ways. Not only do they come from another universe entirely, they get dreams of the past which warn them of future events— directly parelleling Levan/Revan (Malleus’ father).

I wouldnt be surprised if it somehow turned out that Yuu has either had magic this entire time and it just being hidden from everyone in the cast (including themselves), or theyve been absorbing the magic of people around them after being exposed to so much magic, especially from the overblots.

What im thinking, is that the true nature of Yuu and their capabilities is yet to be revealed, and will “bloom”. Just like a proud flower. And, flowers need to be nurtured to bloom ever so beautifully, do they not? Who would be a better fit than Crowley?

Now, Crowley may be somewhat immature and unreliable— But that does not make him stupid, nor does that make him oblivious. Many of the staff respect him greatly, and its a no-brainer that he must be quite powerful. He definetly knows more than he leads on, hes extremely mysterious despite being the first character (after Grim,) to be introduced to us.

Its clear to me that he knows what hes doing. He has plans, whether for better or for worse, and i think its safe to say that those plans include Yuu in some way. Perhaps theyre the final piece of the puzzle Crowley so desperately needs. ← keep that in mind. Hes desperate.

(As for the “evil” part… Man idk leave me alone)

“O magic mirror, thy wisdom I entreat…”

Remember what i said earlier? About Crowley being desperate? Dire, even?

Well, the definition of Entreat is to plead with especially in order to persuade. ask someone earnestly or anxiously to do something.

He is earnestly, pleading the Dark Mirror for answers, for wisdom regarding the “Visage he seeks”.

“Reveal onto me the visage I seek…” Once more, this further proves that Crowley is speaking and seeking out someone specifically. He is seeking out the visage, the face and appearance of the benefactor he is requesting for.

“You, whose image the Dark Mirror did beckon forth…”

Here, Crowley once again speaks directly to us/Yuu. Later on in the Prologue, when the Dark Mirror states that no dorm could possibly suit us/Yuu because our soul is “empty and colorless” due to the lack of magic, Crowley objects, saying that its impossible for the Dark Mirror to summon a student without any magic, as the system has never once erred from the beginning of NRC being established.

(Crowley ure not slick i know what u are)

So, in NRC’s 100 years of being established, why would it’s seemingly very stable system of retrieving students fail? How would the Black Carraige retrieve a student from an entire different universe, putting aside the simple fact of Yuu not having magic? Well, its simple.

The Dark Mirror did not summon Yuu. Crowley did.

Crowley was the one to bring Yuu into this world. The Dark Mirror did not beckon forth Yuu for the sake of the school, rather it was because Crowley requested for it, for whatever reasons he has.

(Alright, now this is where i will be getting into some delusional territory but i will try to remain as logical as possbile pls have mercy on me ໒꒰ྀིっ⸝⸝⸝ ꒱ྀི১)

This scene has always bothered me. Not in like, an uncomfortable way— but ever since first downloading the game, I have always wondered what this scene meant.

“If your heart bids it, take the hand of the one reflected in the mirror.”

Although Crowley is obviously the one summoning us— it is not his hand extended out to us. Rather, it is one of the characters we meet later on. (The sleeves are quite obviously the ceremonial robes, too)

To take the hand of the one reflected into the mirror… Why is that? Why do we need to take someone’s hand? And, furthermore— the hand of a specific character? Though it is a clever way to introduce the cast of characters and give us our first card of our chosen character— why this way if it doesn’t have any significance in the game other than to serve as a “baby’s first card!” scene? We already have the later free gacha, so what was the point?

(I may be overthinking this guys someone help me)

Ive always been curious, since the game never seems to mention this part, and in none of the mangas they have never shown this, either. So, whats the purpose of it?

My guess is that Crowley himself cant summon us himself. Though Crowley must be powerful— summoning someone from an entirely different universe must be difficult, almost impossible seeing as this has probably never happened before.

See, no matter who you are or how poweful you are, I have no doubt summoning someone from a different universe is an incredibly strenuous feat that near no one average could ever do. To break past the bonds of reality, and peer into another, that is something that is beyond imaginiation.

So, what if us taking the hand of our chosen character was the last nail in the coffin for us? The last thing needed for us to be brought into Twisted Wonderland.

To establish a connection.

“If your heart bids it,” why else would you take the hand of a complete stranger? One that mysteriously appeared before you in an extremely strange situation, you can’t even see their face in this scene. Yet, we still take their hand. Why? I couldn’t think of any other explanation other than an already existing connection between us and the character that we chose. Why else would your heart tell you to trust?

Now, i have absolutely zero proof of this being true, its mostly just a little guess, a situation i like to daydream about but hey, its better than nothing.

Anyways, what if Crowley needed the assistance of one of the characters to finally bring us into Twisted Wonderland? Yes, as i mentioned before he is alone in the room when speaking to us— but perhaps theres some ‘magical’ explanation to the figures of our beloved characters standing before us and not Crowley himself, despite him actually being there.

My guess is, that Yuu and whoever they chose have a strange connection. And i dont exactly mean this as strictly romantic, it could be platonic or hell, even more than both of those bonds (maybe even hatred LMAO)— but im talking about a bond and a connection that somehow transcends the borders of realities and their universe itself. They would not be aware of this— neither would Yuu. But it is there. Perhaps its a kind of “soulmate” situation (once again, i do not mean this strictly romantically, you may interpret this however you please!!)

This furthers my suspicions that Yuu needs that connection with your chosen character in order to be brought into their world.

The sound of dragging chains could be somewhat like symbolism or a physical embodiment for Yuu being tied down to their original world. A last effort of their universe to keep them there, but yet Yuu fights against them and is “freed” from those chains after taking the hand of our chosen character.

Only when you take the hand of the character you chose are you able to start the game, both literally and figuratively. (I like to imagine the characters js pull Yuu in after they take their hand i think its funny HAHAHAHA)

The mirrors and coffins at NRC are used as gateways. But it seems Yuu is the only one who needed that extra help to actually be sent into NRC through said gateways. Yuu needs that law-defying, reality bending connection with one of the characters to be able to even step foot into their world. And honestly? I think its super cute HEHEHEE🤭 (fanfic writers, feel free to use this i live to serve content)

(Unfortunately, I have hit the photo limit here. So, I’ll have to settle for typing out all the dialog for the lasst few screenshots ! So please bare with me ૮꒰ྀི⊃⸝ ⸝ ⸝⊂꒱ྀིა !)

────୨ৎ────

“As flame reduces even the stars to ash

As ice seals away even time itself

As great trees swallow even the sky

Fear not the power of darkness.

Now— demonstrate your power.”

────୨ৎ────

In the next views of dialogue, Crowley is obviously foreshadowing to the kinds of magic the player will have to get used to during battle scenes— but what interests me is the very last part of the dialog. The last thing Crowley says before the mirror brightly flashes and the game sends us into our first battle against the overblot Grim.

“Now— demonstrate your power.”

Yuu is magicless, so what power could he be referring to? This could be taken both literally and figuratively, as “power” is not only strength, it can come in many forms, and Yuu has obviously shown to be quite cunning themself, and that could be considered a power.

But, what if Yuu DOES have powers, in a literal sense? What if that power has been secretly sleeping inside of Yuu this entire time, waiting for the right moment to burst forth and bloom like a flower? Their power could be much more than just being a peacemaker or a beast tamer, who knows?

────୨ৎ────

“To me. To them. To yourself.

The hour grows long and time is scarce.”

“Keep steady your grip, no matter what may come…”

────୨ৎ────

This final piece of dialog paired with the earlier “As ice seals away even time itself” statement from when Crowley was speaking of the elemental forms of magic, it really does feel like its hinting at a time loop.

Perhaps that is why Crowley had summoned them, and why he seems to not be even trying to look for a way to send them home. Not just because hes “lazy”, but he very well may have a plan for Yuu. He is purposefully trying to keep Yuu in NRC.

Maybe he is aware of this timeloop, and out of desperation seeks out the wisdom of the Dark Mirror, trying to find a way to put a stop to it— and who better than Yuu to be that final piece he needs? His dear, esteemed benefactor… His fair, beautiful flower ready to be extorted for whatever purpose he had summoned them for.

Nothing is a coincidence. Everything happens for a purpose, good or bad. And Yuu just happens to be in the middle of every messy situation that happens at NRC.

“For them”, who is “them”? The one whose hand we took? Or perhaps the friends we meet later on? Whatever i means, its obvious theres a certain danger lurking in the shadows that has not made itself known. Atleast, not yet. And for some odd reason, it is up to us to “show our power” and keep it from happening. (If it has something to do with Grim, maybe that “Beast Tamer” title was hinting to that all along lol)

“Time is scarce.” An absolutely chilling line that is never really explained. Time has always been an element that seemed infinite, yet in some cases thats still too little. Time is something no one can have enough of, no matter who they are. Yet what does it mean in this context? Why is our time running out, and furthermore what are we trying to prevent? For Crowley? For them, for our friends… And for us? I’m sure Crowley himself must know, if he didn’t why would he be asking the universe to bring him a helper so desperately?

“Keep steady tour grip, no matter what may come…” This, paired along with the earlier dialog of “Fear not the power of darkness,” could be foreshadowing the later overblots that we face in the game. Crowley knows that we will face hardships, and says to keep steady our grip. To not let the darkness consume us or our friends. To not fear the “darkness“. Crowley could be aware of the challenges we are to face, not even bothering to help in the midst of Riddle’s overblot (very responsible of you, Headmaster). Almost as if he expected it?

That is the final line of dialog from Crowley before the Prologue actually begins.

And now, speaking of the prologue, lets talk about some dialog from Crowley in the actual prologue!

—₊˚⊹ Part Two : The Prologue

“Ah, I’ve found you at last. Splendid.”

Crowley’s wording here, “I found you at last.” Is pretty sus, he speaks like hes been keeping out an eye for a specific someone. And the fact that he went out of his way to find Yuu is also pretty telling. After all, from what we know of Crowley its obvious that hes not the type to do that kind of thing. If Yuu was just any other student, Im sure Crowley wouldn’t have gone out of his way to look for them for the sake of the ceremony.

Furthermore, judging by his tone and expression, he doesn’t seem very surprised to find a student where they aren’t supposed to be. Yet he playfully mentions that most other students usually wait for him to open the lids of their caskets before running off. Making Yuu differ from the rest of the student body once more.

Later on in the prologue, we have the infamous “Deuce throwing Ace at the chandelier” scene. (I giggle everytime I hear Ace’s scream. Its so funny i cant)

When Crowley comes over and discovers that our little group had broken the chandelier and expels us, Ace tries to reason with Crowley saying that surely, he must be able to fix the chandelier himself with some fancy pants magic.

“Even magic has its limits.”

If Crowley can’t fix a magical chandelier without it having any circumstances— Then surely there must be some very… Specific conditions when summoning a person, let alone one from another universe.

Magic itself is limited in certain scenarios. Later on, Deuce mentions that if you can’t strongly visualize your magic, it isn’t going to happen.

Which must be why Crowley went to the Dark Mirror for wisdom. “Reveal onto me the visage I seek,”

It could be that Crowley himself didn’t exactly know what form or appearance his dear benefactor would take, and because of that could not properly ‘visualize’ who he is seeking out. Out of desperation, he seeks out the Dark Mirror for wisdom to finally be able to summon this benefactor he desires so greatly, and it just so happens Yuu fits that role perfectly.

After the fiasco at rhe Dwarfs’ Mine, Yuu, Grim, and the Adeuce duo all return back to NRC safely and recap the story of their little journey to Crowley in the privacy of his office where he promptly bursts into tears after.

He begins to ramble about how the students of NRC, as talented as they are, have egos bigger than mt. Everest and this is the first time in his decades of working at NRC where the students have finally joined hands to defeat a common foe.

“I am convinced that people like you are necessary for the future of this school.”

This line of dialog caught my interest greatly. Though he was already going on and on about how Yuu’s “mundanity” is great for the students of this school— for some reason this line simply seemed to stand out to me.

“People like you”? But, there has never been a magicless student at NRC before Yuu, atleast as far as we know. Could this possibly hint to the Yuuniverse? People like you being the countless of other Yuus that were summoned in a past timeline— perhaps each one restarting after the last Yuu fails, and Crowley summons another in an attempt to stop the constant loop of each timeline resetting after every calamity that falls upon NRC.

Perhaps Yuuken failed during Leona’s overblot, and that is why he’s replaced by Yuuka in the Savanaclaw manga volumes? Maybe Yuuka failed during Azul’s, then Yuuta was summoned forth? And then so on, so forth.

Perhaps that is why Crowley is so desperate. Continuing to try and summon the perfect benefactor, the right flower to nurture in hopes that they would survive and deal with each and every calamity accordingly, in order to stop the timeloop.

Why he doesn’t get off his lazy ass and help Yuu himself? Who knows, I’d like to give him the benefit of the doubt and say theres a completely understandable reason of him not helping the students hes supposed to be protecting— but then again, it is Crowley. You really never know with him.

Right after he accepts Grim and Yuu as students, he immediately foists upon another job for Yuu. Gifting them a Ghost Camera, which captures the Memories of the photos taken by the photographer.

The photographer and the subject are then considered “Soulbound”, which apparently just means that when the photographer and the subject’s bond deepens, the Memories captured in the photos come “jumping out”. Crowley says it enables the user to not only photograph the subject, but parts of their soul itself.

(I want to relate this to the part where we take the hand of our chosen character but i cant think of anything so …)

He then tells Yuu to take the camera, and make a record of their campus life. But why Yuu, specifically? And only Yuu? Surely, he could’ve given such an object to the Housewarden of each respective dorm— yet he gives it to Yuu and Yuu alone. As if he knows that they’d get involved in all sorts of trouble, face the unthinkable. And he brushes it off saying how much more convenient it would be instead of documenting everything himself, but how could he be so sure that Yuu would come across such events?

“As a prefect, consider it your duty to maintain a sharp eye on your surroundings and record them.”

Yuu and Yuu alone has been given full freedom to mettle in whichever dorm they see fit and “beast tame” them. They do not have the restriction of the Housewardens, where they only keep an eye strictly on their dorm and dorm mates. No, Yuu has been given full and complete freedom to keep an eye and ensure that everyone is in line regardless of their dorm due to Crowley’s blessing upon Yuu to do just that.

While Housewardens are only limited to their respective dorms, Yuu is allowed to discipline and punish whoever they see fit regardless of which dorm they belong to.

It is because Yuu is magicless that they alone have this privledge of overseeing every dorm— even being able to tell off the Housewardens themselves.

It is because Crowley has given them this role that Yuu is constantly faced with so many challenges from each dorm as a result of their meddling.

He pushes them to meddle in the business of other dorms, making it their “duty” as a prefect (A job that he forced unto them). In a way, this is isn’t just Crowley extorting Yuu into looking after the students instead of him despite it being his job and not theirs, perhaps it is him also trying to ‘nurture’ Yuu. Putting them into these situations, in hopes that they allow Yuu to unlock their true potential and stop the timeline from resetting.

It is because of their job as a prefect that they get into these situations. And it is because of this meddling that they face such challenges. Yet, they wouldn’t have had to if Crowley just didn’t appoint them as “Prefect”. (Well, I suppose Ace was the one that started it— but shh lets ignore that for now!)

Thats all the dialog that stuck out to me for the Prologue.

—₊˚⊹ Conclusion !

In conclusion, I think that Yuu was not brought to Twisted Wonderland by mistake, but on purpose by none other than Crowley himself.

Perhaps each character has their own “Yuu”, and that connection between a character and their Yuu was what enabled Crowley to bring them into their world.

With each Yuu failing at a calamity / overblot, the timeline resets and Crowley summons another Yuu to try again to stop the timeloop, hence the Yuuniverse.

Crowley alone remembers every reset, perhaps not all of it which is why he has given Yuu the Ghost Camera in hopes that the Memories in the camera remain. But, he is aware that the timeline resets every time a Yuu fails— yet it is only a Yuu that can stop the calamities due to the mystery of their true nature.

Yuu is Crowley’s “esteemed benefactor”, the one summoned specifically to aid Crowley in his agenda, whatever it may be. Yuu was brought to NRC to assist him, and Crowley seeks to nurture Yuu until the time their true powers are revealed.

Crowley was desperate to summon Yuu. And it seems the worst is yet to come, and for that reason he summoned Yuu.

With Yuu’s mysterious background and even more mysterious ability to see the past through their dreams— Yuu must have some sort of secret power. The true nature of their being, perhaps they themselves have some sort of magic, or are destined for something great. Whatever it may be, Yuu is not a normal, everyday person. Though they are magicless, that does not make them average at all.

To summarize: With every calamity that falls upon NRC, the timeline resets to the night before the Opening Ceremony. Crowley, being the only one who retains any memory of every reset, desperately seeks out the Dark Mirror in search of wisdom, and a benefactor who can help him and the rest of NRC and finally end the loop. That benefactor being Yuu. Yet, because of the limits on magic— it is difficult to summon such a person, let alone the right one. Conveniently enough, there are a select few of students who have some sort of connection with the one Crowley may be looking for (ex. Yuuken paralleling Riddle, Yuuta paralleling Azul, ect.), and it is because of that law-defying connection that Crowley is able to summon each of their respective Yuu’s.

Yuu’s true abilities have not yet been revealed, and still remain veiled in mystery. But, Yuu may have powers of some sort, or a destiny that they are to fulfil. One greater than they can imagine.

— Phew! That was a lot, wasn’t it ? Sorry, I didn’t expect it to be so long ! (Thats what she said)

Anyways, if you’re still here and managed to make it to the end— Thank you so much for reading my little yap session !!! I appreciate it, and I’d love to hear your thoughts on the topic !

If I got anything wrong, please feel free to correct me! After all, I don’t have the best memory and I may be remembering things wrong. But once again, thank you so much for reading !

Don’t forget to drink water, and take care of yourself, pretty ! See you next time, bye-bye!~ ♡

[balalaijka]

pre-arcane caitvi: or fuck, why i am voluntarily reading league of legends lore

so there’s been a lot of effort to preserve a lot of viktor and jayce’s old stories, bios and dynamics, but not so much for the other characters??? i don’t play league, but i still feel it’s cool to look at older versions of these characters as an “alternate universe” kind of thing

so, here they are for Caitlyn and Vi (all info from the official league of legends website):

Caitlyn Kiramman

top: LoL Caitlyn, bottom: Arcane Caitlyn

“To be the best hunter, you have to be able to think like your prey.”

Renowned as its finest peacekeeper, Caitlyn Kiramman is also Piltover’s best shot at ridding the city of its elusive criminal elements. She is often paired with Vi, acting as a cool counterpoint to her partner’s more impetuous nature. Even though she carries a one-of-a-kind hextech rifle, Caitlyn’s most powerful weapon is her superior intellect, allowing her to lay elaborate traps for any lawbreakers foolish enough to operate in the City of Progress.

Bio

Short story “The Thrill of the Chase”

my notes:

very different from arcane caitlyn, what with supportive (and both alive) parents, and especially this line:

“Her mother […] would always warn Caitlyn of Piltover’s seductions, and its gilded promises that could harden the kindest heart”

so it’s a caitlyn who is also focused on keeping piltover in line—could be an interesting avenue to explore with post-canon arcane fics?

definitely a happier timeline for her

Vi

top: LoL Vi, bottom: Arcane Vi

“We can either do this the hard way or… Oh wait, no. There's just the hard way.”

Raised on the mean streets of Zaun, Vi is a hotheaded, impulsive, and fearsome woman with very little respect for authority. She has always been a shrewd survivor, both from her youthful troublemaking topside and an unfairly long stint in Stillwater Hold. Now working with the Piltover Enforcers to keep the peace instead of breaking it, she wields mighty hextech gauntlets that can punch through walls—and criminals—with equal ease.

Bio

Short story “Interrogation 101”

my notes:

so this backstory seems to line up more with arcane vi, but then comes the line in the short story:

“as if he was talking to the old Vi, the Vi from the Lanes. He wasn’t bright enough to know that Vi wasn’t the one standing in front of him”

so what i’m getting is this idea of a vi who’s divorced herself from the undercity, in a way arcane vi’s hasn’t?

and i have… conflicted feelings about this, since arcane vi is shown to be very caring and protective in contrast to this iteration—like the closest she is to the original also coincides with her being depressed, while lol vi just overall… doesn’t seem to care

(but at least being hella gay for cait is a constant across universes)

(also who isn’t to say we can’t dig into the tragedy of a vi who’s lost her connection to home?)

Bonus - screenshots of the bios if you want to stay on tumbr

Caitlyn

Vi

Also the art that inspired this whole thread of thought:

[nectarinesinthesun444]

Ok I just rewatched dps and I NEED to yap (a review basically)

Neil was in love with Todd there’s no way around it and he realised that when Todd did the poem in front of the class, and I also do not buy the idea that it was only acting that drove him to suicide, it just doesn’t add up and it falls flat. I can feel his emotions I can see it in his eyes during those arguments about the play with mr perry there’s was more to it!!!! he knew that there was just this one other thing about himself that he couldn’t let anyone in on.

He had so much love and passion for the world around him, for Todd, for acting, for Charlie, for Mr Keating, for poetry, all these things were taken away from him. On that night in his small world there was no way out other than death. And who knows he may have also been thinking that the more and longer he lives his homosexuality may be found out by Mr Perry and that would be his final straw. There was sooo much he was scared of risking he couldn’t go on.

In another lifetime he had another chance but horrifically not in this life.

And about my theories and beliefs on what happened to Todd post canon

I believe Todd stayed close with Charlie because they were closest to Neil and they bonded over that, I think in the early days of Neil’s passing they wrote letters to each other. We also know from Gale Hansen that Charlie became involved in the hippie scene/civil rights/lgbt rights etc which obviously includes poetry so I believe him and Todd were pretty close at this time in the mid late 60s and 70s and so on.

Todd SO found happiness and love and beauty in his life moving forward, those months with Neil in Welton changed his life forever and it made him realise so much about himself. I think that he definitely published poetry books and maybe even a memoir? I also do believe he was in love with Neil but only realised years later while reflecting on his life.

I also headcanon that Todd stayed in contact as much as he was able to with Mr Keating. And it’s also canon that Todd became an English teacher because of the sequel that never happened because of the unavailability of other actors so there’s that.

Todd had so much passion and energy inside of him and Neil helped him with that, and after his death he committed to being passionate about life and poetry, never forgetting the light in his life that was the Dead Poets Society and Neil. Because of the deleted scene that was meant to be intercut with Neil’s suicide where Todd recites his poem he was writing the entire film, we know that he was forever inspired and had confidence inside of him and Todd Anderson is a blessing to this world. Never Forget.

Neil is also a blessing to this earth and only in another life would he have had his name in lights performing in plays till his hearts content, basking in love and PASSION and the arts, rebelling and doing everything Mr Perry wouldn’t want him to do.

And now onto the beloved Charlie FUCKING DALTON because I can’t not talk about this man forgive me

He’s so more complex than just the funny guy and he lives for his friends, he’s so incredibly loyal and loving even though it’s hard for him to show the full range of his emotions, only when Neil died he felt like he could actually cry and be vulnerable

This book exerpt is also important to his character and I wish it was in the film because it shows that underneath his flamboyant funny persona he felt empty. He didn’t know who he really was, what he wanted out of life. Always searching for adrenaline and excitement by taking risks, but outside of his friends, where was the real passion? What did his heart belong to? what was his thing? It seemed like everyone else had a thing that they loved and had true passion for but who was the real Charlie Dalton?

I believe Charlie found himself more in the late 60s as he found freedom and love in the counter culture of the time, getting involved in left wing political movements, connecting with Todd in ways he couldn’t as more emotionally closed off teenagers. They shared their grief together in the end and found happiness in so many places. Supporting Todd at his live poetry events with the other remaining poets aswell.

Also in the scene right after Charlie is punished because of the phone call from god prank, and he stumbles out of Nolan’s office in indescribable pain still trying to play it cool

What I’m trying to get at here is when Neil talks to him in the doorway of Charlie’s dorm. Charlie is facing away and he doesn’t want to be seen crying. He forces a smile and says “Damn it Neil, the name’s Nuwanda.” and this line is quoted in a funny way a lot but if we pick it apart, it shows that he tries to make light of almost every situation. He struggles to face the pain, for other people to see him in distress and he still has to make a joke.

Going back into this film I was nervous that I would get almost sick of the film because of watching it so many times but the opposite has happened. It’s sadder every time and I have so much love in my heart for these three characters and I know Todd and Charlie find joy after this traumatic event. Neil gave himself eternal sleep and peace away from this sick, dark and conservative world who don’t want to see people like him thrive. And I’m not religious but I know he was looking down on Todd and was so happy for him and all he’s accomplished.

I’m gonna end this by saying Todd Anderson is autistic

[letmereadinpeace4]

Love Sea episode 1 Commentary

So yesterday the first episode of Love Sea was released. After watching it, I decided to put down my thoughts and impressions. Hopefully I can keep it up until the end of the drama.

First, a few things:

I have bought and read the Love Sea novel. I will try my best not to spoil anything, but this knowledge informs my perception and my commentary. I have also read Love Sand, which chronologically happens before Love Sea, and I will spoil minor plot points if I think they can help understand elements in the drama.

There will be no Mame hate in this post, or in any other posts.

With that out of the way, let’s start:

The drama opens by separately introducing the main characters. Masahamut is diving, checking and noting damages, while Tongrak is on his way to the island, wearing the most impractical travel outfit he could have possibly worn. We learn that his stay on the island was booked by Connor Warrington, a close friend of his.

The character introduction is pretty well done. Masahamut is set up as a character who deeply cares about the well-being of the island he lives on. He is shown interacting with his friend Palm (they are not biologically related, they are senior/junior) and we get an impression of someone who communicates well with others and has a joking, playful side to him. Meanwhile, Tongrak is shown alone, even as he talks with Connor, we do not hear his replies, so we get the sense of someone cut off from other people. His outfit is also very fancy, showing his financial comfort, but also wildly impractical, showing that he is not very down to earth.

To explain who the characters are in the Mame universe, Masahamut is the best friend of Khom, who is Type’s childhood friend (from Tharntype). Khom is dating Connor, who is close friend with Tongrak. Tongrak is also a novelist, and his novels have been adapted by the movie director Aphros, who is Prapai’s uncle and the director who inspired Sky after his breakdown (not going to lie, with all those connections, I am low-key surprised that the closest we ever got to incest was Tum and Tar’s relationship).

At the docks, Tongrak is not exactly impressed with the place he will be staying at. We have it confirmed that Connor booked his stay because Tongrak’s next novel will be about the ocean (Connor my beloved I love you so much you asshole). Masahamut meets Tongrak at the docks and decide to piss him off by speaking in a Southern accent and not driving an appropriate vehicle to transport his suitcases. After Tongrak blows a fuse, Masahamut cuts him off and borrows a cargo tricycle.

This develops the characters a bit further. Tongrak shows a rather childish side and a lack of control over his emotions, while Masahamut’s confidence and capacity to adapt is set up. We also see more of his playful, “troll” side. I also like how his popularity on the island is subtly shown by having him borrow a bike from someone with no issue whatsoever. People trust him!

Tongrak immediately calls Connor to complain and demands to go home, further showing his childish, needy side. We get to hear Connor, who is mostly amused. Meanwhile, Masahamut unloads Tongrak’s suitcases with an amused expression and grabs the phone to chat up with Connor.

For more explanation about Connor and Masahamut’s relationship, they met when Connor stayed at the island for the holiday. He met Khom, who was working as Masahamut’s assistant and as Connor’s guide, and Masahamut helped Connor in his pursuit of Khom (in exchange for monetary compensation. Truly a win/win situation for everyone involved).

I love how entertained Masahamut is with Tongrak’s prissiness. He doesn’t care or take it personally, just rolls with it and takes advantage of it to troll him.

Masahamut escorts Tongrak to his room, who immediately pushes him out and ignore his offer to be at his disposal if he needs anything.

Sidenote, but I love Tongrak raging against the suitcase and later at the blankets. It is so cute, childish and relatable at the same time. I have definitely “scolded” a zipper because it wouldn’t open or the printer because it had issues.

We cut to Mook, Tongrak’s assistant/secretary, who is looking very busy and overworked. She is so far the most relatable character in the drama for me, down with the messy hair. She is called by Vi, Tongrak’s best friend, who promises to keep her busy. I love her, she is such a troll! Also a cameo appearance by Ja, which is definitely great to see! Hope he’s been well!

We cut back to Tongrak as he goes to a bar, wearing a really awesome sheer shirt and enjoying the attention he gets. Palm is his waiter, and immediately start hyping up Masahamut. We get confirmation that Masahamut is really popular both with the residents and with the tourists. We also learn that he is bi, which is great! We always love to see bi representation.

Tongrak seems pissed both at the fact that Masahamut is popular and by the fact that people would assume he is attracted to him, which he is definitely not! One hundred percent not! Not a trace of attraction here! Who cares if Masahamut is handsome anyway? Not him that’s who! And his sulking has nothing to do with it.

Next morning, we get to see how much Masahamut is involved in his community. While it may seem a bit heavy-handed, I do like that this aspect of Masahamut is so strongly enforced. It gives him a lot more depth and shows his maturity.

This mature impression is immediately countered when we see that he has a double of Tongrak’s keys and didn’t tell him. He immediately takes on the caretaker role and as he cleans up the room, we learn that Connor paid Masahamut to serve as Tongrak’s caretaker/nanny/guide/sitter during his time on the island. Is it like some kind of gift reciprocity? Masahamut helped Connor date his best friend so Connor helps Masahamut get with his own friend? I also really like the comparison of Tongrak to a cat. It suits him so well. We also have it mentioned again that Tongrak is very lonely (initially, Connor filled that loneliness void, but once he started dating Khom, he could no longer give as much attention to Rak as he used to, hence why he is trying to find a solution.)

Connor wakes Tongrak up. Not going to lie I would punch him! Do not bother me before I had my tea and breakfast! As he tries to punch him Tongrak falls on the ground, giving Masahamut a perfect view of his body.

The “seduction” scene is really well-done. You can see the switch as Tongrak finds himself in a more familiar territory and tries to seduce Masahamut by removing his robe/shirt. He really seems to enjoy having power over Masahamut, especially since the latter has annoyed him so much. However while Masahamut is admirative, he does not lose his head and starts commenting on Tongrak’s lack of body hair. You can really see the switch back as Tongrak loses his confidence. Peat acted really well in that scene!

I love how offended Tongrak is by Masahamut’s lack of sexual interest. Poor kitty got his pride hurt! Speaking of which I also love how Masahamut speaks of Tongrak like a kitty he is taking care of.

Tongrak tries to provoke Masahamut by constantly asking for a different breakfast and being picky, to no success. I always enjoy seeing Tongrak’s bratty side, especially when his brattiness doesn’t work.

Masahamut is such a troll! I love him already!

Meanwhile, Tongrak has found out a way to get Masahamut to do what he wants (to some extent). He pays him to get him to speak in a Central dialect. It really sets well the economic difference between them. Tongrak has money to burn and Masahamut will do anything for money. I love how much he doesn’t care about being bought and getting money from his clients. Masahamut is there singing “Material Girl” and doesn’t care about what anyone thinks!

I love it any time Tongrak’s more vain side is shown. The way he jumps when Masahamut mentions wrinkles. Also he is supposed to be in his late twenties/early thirties.

Masahamut offers his sexual services and can obviously see that Tongrak is more interested than he lets on. “Even if you were the last man on Earth, I still wouldn’t want you”. Oh hey! I heard a cool girl named Elizabeth Bennet say the exact same thing. I wonder what happened to her….

We cut back to Mook rehearsing her speech to Vi to not have to work as her assistant. By the way I love her shirt! As she dares Vi to call her, she answers her prayers and does so! We get to see that Mook has an itemized list of how to deal with Vi! That is some thoroughness! Anyway Vi claims a light bulb in her room is busted and that Mook needs to come and change it. I see Vi subscribes to the “pulling her hair” strategy in courtship. Meanwhile Mook is getting more and more erratic and her faces are amazing! She looks offended, outraged and confused at the same time. Also I love how messy her hair is.

“I’m a frail lead actress who can’t do anything on her own” as she sits on the ladder she used to bust her own light bub to get her crush to come to her place! I love Vi she’s such a troll! Also does she have Mook’s picture? I can’t really see well.

In his room, Tongrak is having trouble writing the sex scene and we learn he needs to have sex or to hug someone to properly write sex scenes. It really is interesting that Tongrak needs an intense physical situation to describe a romantic sex scene, because it suggests that he cannot conceptualize the intensity of the emotions involved unless he experiences a “similar”, physical sensation. It really goes with him being lonely but also suggests he never truly offered his heart to anyone.

The next day, Tongrak is working on his novel, looking extremely cute with his round glasses, while Masahamut is waiting. He soon gets bored and starts reading what Tongrak is writing. I wonder if the sex scene he reads out is a random scene that was written especially for this or if it was taken from another of Mame’s novels. I cannot place it.

Anyway Masahamut is bored of it and takes Tongrak on a boat to show him around. I love how Masahamut gently scolds Tongrak and tells him to sit properly so that he doesn’t fall, causing Tongrak to sulk. It sets up their future dynamic. Also Masahamut don’t scold the kitty! He’s a city kitty and has never been on the sea before.

Tongrak is called by Mook and doesn’t hear her well. Yeah in the middle of the sea it is a lost cause. Masahamut decides to take a dive while Tongrak is on the phone, causing him to panic. I actually agree with Tongrak here! For safety reasons Masahamut should have warned him.

Tongrak freaks out and starts crying. Masahamut tries to reassure him by poiting out that he’s fine but is unsuccessful. I love how he takes the freak out seriously and only reaches to touch him after Tongrak has been unresponsive. Tongrak scolds him and Masahamut reaches out to hug him and apologize. I love the light little kiss on the forehead and how Tongrak slowly accepts Masahamut’s hug.

Afterwards, Tongrak is embarrassed about his crying episode (don’t worry baby it happens to the best of us) and plays the shy Victorian maiden when Masahamut moves to remove his shirt as if he didn’t wear a sheer shirt in public two days before. Masahamut offers to show him the good stuff, and just like Tongrak I was not thinking of clams when he said that! Again, I love how confident Masahamut is! He is aware of his charm and sees well the effect he has on Tongrak. The episode ends with them still on the roof of the boat.

Overall I really enjoyed this episode. It was a good set up for the characters and I love the atmosphere they created. I look forward to seeing more of it.

[tanukitsuneko-suki]

build episode 36 thoughts:

- i thought the episode is titled “evolt hunts parents” and for a second i’m like yea he seems like the kind of guy to commit fratricide for fun. it’s his hobby

- yeah, damn straight!!!!!! it won't work for you ugly!!!!!!!!!!!!!!! 🍅🍅🍅

- it's really moe when he looks pissed....evolt bring him back his wife already....ugly mf..

- when i said i wanted more of banjo and misora moments i didn't mean it like this... (both of them are possessed by aliens)

- i miss my wife you guys. banjo...come back....

- SHINDA HENSUU DE KURIKAESU KAZOE KOTO GA HARANDA NETSU (ramble// when i drew that sento fanart inspired by netsu ijou it really just happened to be on my playlist and i thought it would be fun to combine it with sento...apparently the song is about the last person on a planet as a black hole eats it away.. oh serendipity)

- "ah mb we got a lolicon in the team" ahh face

- oh god banjo ily lol. he's so cute i wanna put him in a jar (someone who folds quickly because of her oshi) (even if her oshi is possessed) (and in a suit) (banjo my wife)

- kazumin and gentokun bonding!

- kazumin recruitment era....kazumin... he's unexpectedly a really good character, isn't he? he's really noble... when he didn't give up the pandora's box despite threats to his closest friends/those he considers family... recruiting the murderer of someone very important to him because he knows they need all the power in their arsenal against evolt.. it's very refreshing!

- this goddamn scene

- WHY IS BANJO'S NAME ON YOU GUYS' MOUTHS. AGAIN. LMFAOOOOOOO I'M SO SERIOUS I WASN'T EXPECTING MISORA TO NAME DROP BANJO AS THE REASON HEKP

- I MEAN MAYBE HE'S JUST PREPARED TO DIE TO SAVE PLANET EARTH GODDAMN?????

- nevermind misora's just throwing guesses it fucking sent me though

- i'm so fucking sorry it's just his suicidal self-sacrificial streak talking i'm sorry for making it about ryusen again

- BANJO ENOUGH CHILLING IN THE HEADSPACE GO BACK HOME YOUR WIFE IS GONNA DIE

- his weak voice...oh god my...my meow meow...you don't have to do this.. STOOOOP FIIGHTIIIIIIING

- i'm in goddamn shambles ENOUUUUGHHHHHHHHH.. i miss banjo so much i can't take it anymore

- on a fucking android???? you can't even get an ipad for this my guy??

- he's such a goddamn hater lmao okay i got a bone to pick with evolt and of course i don't like him while watching the show because he's the antagonist but i can begrudgingly respect him because he's a damn good villain lmao. also that snort. i love you akaso

- i kinda forgot this is all happening in japan only and it's so funny like wdym nobody from china is knocking asking 'heyy uhh guys what do got there (referring to the big ass lights that beam to the sky every 18 hours)'

- yes well you're only fraternizing with greedy capitalists and i don't really think the opinions of the 1% is representative of the general attitude of humanity...i can assure you the normal guy on the street is only debating about whether they'll buy onigiri or tonkatsu on the way home from work..... evolt your sample is biased. never become a scientist

- atleast they can be together forever (used as evolt as fodder for war and violence)

- i just said "YOU CANNOT BE FUCKING SHITTING ME" out loud

- ... the best heroine of kamen rider

- suicide mission to save wife....... somebody help my wives are racing to sacrifice themselves for each other..

- ...

- uh, anyway! we are so back <3

- little white rabbit on the moon..

- YOU'RE SHITTING ME

- ENOUHDGSFSDHAFDSAFBDSHFGHDSAGFHKSADGFHSDAFGHSDAKFFDHFSDAHFKJASDLF IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD IM DROPPING BUILD

- THE FUCKING WORST

[androdetective]

Jefferson is one of my favorite characters. Whenever I think about his fumbled potential, I experience agony. He gets set up with a simple backstory. At age ten, he saw his mom get killed by vampires, it's later revealed she was also assaulted by the same group. I'm assuming this is to reference the 80s horror trope of women being randomly assaulted for shock. Ironically enough, even the scene where that was revealed felt like it was there for shock humor. They didn't even try to subvert the trope like they do with other tropes, but that's asking too much for the show.

Because of that that's why he's dedicated his life to being a vampire hunter. Specifically, a "Blacula hunter." For whatever reason, but I guess they're doing that since Blacula was one of his character inspirations.

That's all pretty fucked up. We do see him direct that trauma to killing (all shown as aggressive) vampires. That seems like a good thing. And he does it because of his love for his mom. The closest we have to a black female character on the show. Black women are almost non-existent in the show, and the shows closest connection to one being through a man is. Rough. But it's the closest there is.

At the very least it's not a woman who's existence hinges on her romantic relationship to a man. Rather, a mother/son relationship. For vbros, that's progressive. We've barely seen that in the show, compared to father/child relationships. And it's shown in a positive way. Her impact has shown to have made him a better person compared to other characters. Especially compared to other characters who don't have positive relationships with women.

The show has a theme of mom/son relationships. Particularly, of course, with the boys looking for their bio mom through the course of the whole series. There's the moment of kid Rusty and Bobbi meeting and it being this important thing. It was a moment when Rusty had a caring adult, the closest he had to a good maternal figure. Those are just the main guys, though.

The few times a mom/son relationship is important to a side character is with Jefferson. We know a lot of his drive is because of her. He was permanently affected by her death. So much so that he mentions it a lot. However, that leads to the question. Why does he only mention her death and not any other memories with her?

I get the trauma memories being neverending, but how come we never hear about how she was? I find that really unbelievable. The fact we never hear about how she was or any stories from a loved one. The only thing we know is that she was a good mom who got killed. It feels like they barely gave thought to her. She's just a tragic figure who's barely relevant. She's the woman in the fridge trope, and that's all she was to the writers. We never got a design for her. We never even got a name for her. It feels like each time he mentions her dying its the writers trying to remind themselves what his character backstory was.

Other (white) characters get more character exploration, and it is so jarring when you see how underdeveloped Jefferson and his story actually are. We didn't even get more backstory to him until the movie. He used to live with this vigilante group in the 90s, and even then, he still hunted vampires. Which I guess shows his determination, but what else has he done? What else does he do even?

This specific scene always comes to mind when I try to analyze his character. I'm pretty sure it was the episode with the monarch wedding. Orpheus and Jefferson were talking and Jefferson says something like "there's a lot of things you don't know about me". He then says that he takes care of baby pigeons, then follows it up by saying he used to be in the military. This is the closest thing to more stuff for his character and they made him a former military guy. His whole thing is hating blood suckers why would he join a different group of them!! My only guess as to why they added that was to reference Jefferson's va, Charles Parnell. Who seems to have done military acting roles before. Even then, I'm still not a big fan of that character fact.

We don't know shit about his hobbies or anything else. Like, sure, you can add fun facts like he's diabetic and likes Nik-L-Nips, but they feel so hollow when his character doesn't get explored to his full potential. We know he loves his mom but it feels almost laughable when you realize the show unintentionally makes it seem like he doesn't give a fuck about his other family for no reason. He loves his mom, but what about the rest of his family?? Literally what about his dad?? Was he raised by him after his mom's death? Did his family console him with the trauma/grief? Has he gone to therapy? We don't know because the show never said shit. He's never even mentioned family other than his mom. And as sad as this is, a part of me is glad they didn't mention his dad because they would have easily done an absent father joke.

It's like, Jefferson is a fun character, but he would've been better if the show started caring about him before the movie. Many people like his character and want to see more of him. They want to know more about him. That really shows his potential for greater things. He's got the character setup and one of the show's coolest designs. I'm still glad he got his time to shine in the movie. I just can't help but crave more of that.

[nimcoconut]

the thing is, jegulus makes perfect sense to me genuinely. And I understand the gripes that people have with it, so i'm going to try and outline my thought process. i could talk about how good of a ship this is for HOURS.

• Regulus and James would have constantly been in each other's orbit at Hogwarts. Think about it. They're both on the Hogwarts quidditch teams (regardless of if jenes was a seeker or chaser ik it's up for debate) we all know how serious James Potter took quidditch. they would've been marking each other in games, taking notes of tactics etcetc. Plus with Sirius being James' best friend he would've been even more acutely aware of Regulus, like come on. If nothing else, then because of the arguments the black brothers would get into at hogwarts. And the stories Sirius would tell him in their first few years at Hogwarts, because hello, before Sirius went to Hogwarts who was his closest ally? who did he survive an abusive home life with? REGULUS. so james knew of him, DEFINITELY was introduced to him on the hogwarts express during second year (before slyhtherin sorting).

• James being Sirius' best friend and ultimately in Regulus' eyes, the person who replaced him as Sirius' best friend. He would've resented him, because before him and Sirius fell apart, they were all each other had and SUDDENLY sirius has this other rock, this but that he admires so much. You're telling me he wouldn't be raging at being replaced? On high alert of awareness, not only for his brother that he was steadily losing but on his best friend who replaced him???? the tension?? hello?? And once they got to know each other and he has that "oh so this is what he saw in you. oh wow" Moment??

•James potter, sunshine reincarnate, who believed in others even when it came to his own detriment would 100% try to save regulus. Believe he could. A lot of people say this doesn't fit James' character because he "wouldn't lie to his friends" But I think you guys are putting him in a box. I think he's just as capable of keeping a secret as anyone else. Especially when he thinks it's for a bigger purpose.

•I love the idea of a love greater than Regulus' loyalties to his families being what inspired him to take the horcrux. Like The symmetry of both Black brothers being guided by James into the light?? That his love saves them both in different ways?? How is it not the perfect ship.

Enemies to lovers, grumpy x sunshine, regulus falling first but james falling harder, the COMPLICATED nature of it. how much of this is vindictiveness towards sirius and trying to take something away from him, of reclaiming and how much is just pure admiration for someone so good and selfless? How much is this about James' saviour complex? You anti jegulus people are not seeing the bigger picture.

ALSO HOW IS IT ANY DIFFERENT TO DRARRY??? Its the PERFECT foil to drarry. Because this truly is a world where history repeats itself. Pressured into the dark arts by his family's expectations but couldn't stomach pushing through when it actually came down to it? And his beautiful sunshine boyfriend who embodies the GOOD in the world despite everything. Give me 10 more of it right now.

[buubonita]

You probably already talked about him like, A LOT, but i like to hear anything about epic sans, the sad guy has a lot of potencial

Qin! Haiii!! Dw I never get tired of talking about Epic, and tumblr is the only place that seems to listen to me.

I'm not going to get tired of saying this but I'm a little fed up with how the fandom literally decided to take Epic as a meme character and not give credit to the little but at least consistent work behind the character.

Can I say that Yugo also didn't help the character by using him for constant shitposts?? I can say it, they are partly to blame too, sorry not sorry.

I'm fine if people do stupid things with the character but it gets to a point where it's irritating to see for me personally. Sometimes I feel like he's a grumpy old woman for having these ideas. When I met him and said that I liked him I remember well that an online user called me stupid for liking such a dumb character and I felt really bad for a while and I didn't want to know about Epic until I found out that Epic is another character misunderstood on a large scale by the fandom and has the bad fortune of being hated by his creator.

Anyway, to the point. I love Epic, he makes up the trinity of my favorite UTMV characters, I love his design and the tragedy of his situation. I like villains more than heroes in general, but Epic has a particular charm, I wouldn't call him a hero because the poor guy wasn't meant to save anyone, he was conceived as a tool and died as such without too many contemplations, but he tried, he died trying and that is absolutely admirable considering ALL the shit he's been through for 20 years! I don't know, he inspires me to keep going, even if his canon isn't that deep and the au he comes from is a very basic story that takes elements from anime and manga.

It's funny how different Epic is from other favorite characters I have, but that makes him even more special to me.

And I love the idea that the fandom adopts him and gives him details that enrich his character because as I said, I love him so much! <3 and he deserves better.

To wrap things up because I don't want to overwhelm you, some headcanons of my boy to share.

* Epic has taken care of Chara and Asriel, they are his nephews and he keeps a picture of them in his trench coat (often showing it to others like the proud uncle he is).

* I don't want to think of him as a creep, he's a 45 year old man for fucks sake. But eh, he definitely watches that kind of shitty H content sometimes.

* The people closest to Epic I would say are Mettaton, Papyrus and Asgore (who is supposed to be his best friend but the fandom prefers Cross haha)

* I see him as the guy who would make a cookie review blog. I also like that he does reviews of any media and a lot of ironic consumption ("Getting Drunk on Undernovela Part 157"")

* Epic's eye has lost strength over the years (particularly after Gester's death) so his regeneration process is much slower than before. His body can be completely destroyed but the eye will remain intact.

Maybe one day, the eye will stop working and give Epic his mortality back.

* Epic keeps Cross' bandana from their first meeting together (in my one shot We Must Die In Spring something like this was supposed to happen.

Cross: I like your bandana.

Epic: Thanks. I used to be a royal guard.

But it didn't quite fit ahsuahs

Also Perfect Encounter, the epictale and xtale animated crossover, is supposed to be canon for this One Shot but Perfect Encounter hasn't come out yet so I had to fill in the gap with my imagination.

God i love Cross and Epic friendship so much)

And that's all for now... thanks for asking Qin 🩷🌸

[youryurigoddess]

The stuff dreams are made of, or the interesting case of Anthony J. Crowley

We’ve talked a bit about Crowley’s trauma and his way of reclaiming the narrative in the past, but it’s time for some deep dive into the story he’s trying to tell. A story that meanders through the fabric of time and space, slightly changing with the human fashion trends, but slowly and surely bringing the demon closer to a certain angel like the red thread of fate.

1793

Some stories start in a garden, some even Before the Beginning, but this one starts with an Arrangement. Or, to be precise, a little bit after that.

See, most of the iterations of Crowley we saw throughout the history until then didn’t delve too deep into human cultural tropes. If anything, they were the inspirations behind more or less prominent biblical figures, maybe some nameless villains matching his demonic provenance and role assigned to him by his employers.

But in the hustle and bustle of the revolutionary Paris, Crowley emerges as a prototype of the Scarlet Pimpernel — a chivalrous Englishman who rescues aristocrats before they are sent to the guillotine. Stan Lee famously called him “the first character who could be called a superhero”.

Sir Percy Blakeney, the main character of the novel and the West End play under the same title, leads a double life. Appearing as nothing more than a wealthy fop, in reality he’s a formidable swordsman, a quick-thinking master of disguise and an escape artist. Even his own wife, Marguerite, has no idea.

Unfortunately Marguerite is being blackmailed with her brother’s life to find and expose the wanted Pimpernel. She regrets betraying her husband the moment she's forced to do it and spends the rest of the plot working to save him. She does, they make up, and return together to England.

In Aziraphale and Crowley’s case there was just a short stop for crêpes. But what seems to be an inspiration of a specific scene might as well come up later in the wider perspective of the show, so keep in mind those fragments of the musical’s libretto:

We all are caught in the middle

of one long treacherous riddle.

Can I trust you?

Should you trust me too?...

We shamble on through this hell

taking on more secrets to sell

'til there comes a day

when we sell our souls away.

We seek him here, we seek him there,

Those Frenchies seek him everywhere!

Is he in heaven? Is he in hell?

Where is that damn elusive Pimpernel!

1941

The London Blitz is when we see a full-fledged iteration of the superhero Crowley performing dashing and heroic deeds under the literal cover of darkness and air bomb smoke. In a bespoke double-breasted suit and a fedora — still free from the unfortunate modern connotations from the internet culture — he’s clearly channeling Humphrey Bogart as a private investigator Sam Spade in The Maltese Falcon (1941) now.

It all starts with a woman and a simple plan gone wrong: Spade’s partner is shot dead, just like the man he was supposed to be tailing upon the request of a mysterious Miss Wonderly. And when a very soft-looking, sweet-scented man named Joel Cairo appears in his office willing to pay a hefty price for a "black figure of a bird", Spade starts not only a new job, but also his own quest for truth.

On the surface, The Maltese Falcon ends happily: the killer gets caught, and the hero winds up with the Falcon. But Spade's victory is completely hollow. The Falcon itself, originally meant as a symbol of loyalty, transforms into a symbol of a corrupting, futile, and self-destructive greed that makes people betray their own loyalties.

The treasure is just a worthless forgery and he’s fallen in love with the criminal — one of the first femmes fatales on screen. Despite his feelings for her and a kiss, Spade gives her up and submits the statuette as evidence, describing it as "the stuff that dreams are made of".

Remember the eagle lectern? The eagle was believed to be flying highest in the sky and therefore closest to heaven, symbolizing the carrying of the word of God to the four corners of the world. Aziraphale in the 1941 church scene is the closest to Heaven we’ve seen him on Earth. Just look at him: dressed in a smart, well-fitted coat with peaked lapels, symbolizing his Heavenly allegiance, and doing good this time not as a work assignment, but of his own accord. Being the closest to Heaven means the furthest and most unattainable for a demon like Crowley.

The Maltese Falcon is a metaphor for unattainability — things out of reach to desire and fight for, although never truly possess. It’s “the stuff that dreams are made of”. But Crowley secured the original — made of gold and encrusted with jewels, but hiding its real value under black enamel — eerily reminiscent of the demon himself and the unending kindness behind his inappropriately tight black clothing.

Quoting Michael Ralph — the production mastermind behind Good Omens — from the S01E04 “Saturday Morning Funtime” DVD commentary, “We wanted to tip our hat to the Maltese Falcon as being a precious object that no-one thought really exists but it does”. So we can safely assume that Crowley can and will achieve his dream in the future.

1967

Do you know what else happens in 1941 in Scotland? Ian Fleming, a British naval intelligence agent, meets with the famous occultist Aleister Crowley and asks him to lead the interrogation of newly imprisoned Rudolf Hess — a leading member of the Nazi Party in Nazi Germany appointed Deputy Führer — given the two men’s shared enthusiasm for the occult.

This meeting has a significant impact on Fleming’s work as a writer; Aleister Crowley becomes the inspiration for his first villain Le Chiffre and creates a blueprint for most of the James Bond’s franchise ever since 1953, the publication date of the novel Casino Royale.

Meanwhile our Anthony J. Crowley believes in himself not being the villain he’s usually and sometimes forcefully painted as, but a superhero in disguise. The character of James Bond in particular inspires him so much that he buys petrol to get the limited You Only Live Twice (1967) window decals for his Bentley, dons his own tactical turtleneck, and sets off to organize a heist like no other. Sean Connery style.

Like a typical superhero, Crowley’s once again both saved and betrayed by his love interest. Aziraphale leaves him with a thermos of Holy Water, a faint smile, and a hope that they’ll soon match their speeds to meet halfway at the Ritz. The cancelled heist is not an ending, but a promise of a new beginning. And the fact that UK decriminalizes homosexual acts in the very same year is more than telling in this regard.

2019

An exceptional situation calls for exceptional solutions, and what’s more important than the impending Apocalypse? Demon Crowley does his best to put the arsenal of his 20th century film inspirations to good use.

"Ask yourself, do you feel lucky?" Crowley drawls, clearly imitating (although slightly misquoting) the titular Dirty Harry (1971). He’s hoping to be menacing and making the point of being the one on the right side of the law and history.

Some situations require more than quoting action heroes is not everything though. He knows what to do:

A jeep was heading purposefully towards the gate, and it looked as though it was crowded with people who were about to shout questions and fire guns and not worry about which order they did this in.

[Crowley] brightened up. This was more what you might call his area of competence.

He took his hands out of his pockets and he raised them like Bruce Lee and then he smiled like Lee Van Cleef.

'Ah,' he said, 'here comes transport.'

When in doubt, Crowley acts. He transforms into a combination of a stoic martial arts phenomenon and a sardonic, menacing character. His smile alone — even on Aziraphale’s angelic face, as seen in one of the final cut scenes — seems to be enough to ward off evil spirits, angels, and humans alike.

But we all know that even as breathtaking performances as those can’t protect anyone from the cogs of the Heavenly machine and its plans.

2023

No wonder that Crowley’s tactical turtleneck comes back in style after mere four years of retirement with a self-introduction “Former Demon, hated by Heaven, loathed by Hell. How will our hero cope?”. Something has changed during this time; he’s more mature now, not playing pretend by hiding behind the usual veneer of sarcasm and movie quotes anymore. Finally comfortable with the fact that this is his own story and there’s no need to become anyone else than himself.

The bookshop fire and the Heavenly trial still seem to haunt the demon in a way that makes him realize what all humans know: that every hero is his own biggest enemy. His ultimate dream might effortlessly change into his greatest nightmare any moment now, and the only thing he can do about it is hover in a two-minute distance from the epicenter of his feelings. But Crowley has no time to work on it when a new mission appears, to protect his angel from Gabriel and the combined powers of Heaven and Hell. Even if this — rather ostentatiously — is the last thing he wants to think about at the moment.

Crowley tries to plan ahead, while his story slowly warps into a different genre due to Aziraphale’s interruptions. He eventually changes back into his usual Henley shirt after agreeing to swap places and guarding the bookshop while the angel is off to Edinburgh, collecting more clues. Did he finish his personal quest off-screen? Did he just give up on it in the whirlwind of matchmaking shenanigans? Remains to be seen.

In the S2 finale our master of disguise in yet another turtleneck proves that he can successfully infiltrate even the universe’s back office. We don’t know where he drives off in the end, but one thing is certain — he’s got a plan. And a world (and his dream) to save, like a superhero he is.

[aranarumei]

you listed gsnk as an option and my dopamine receptors lit up. What dyou think about mikorin and mayu

ask me about a ship and I’ll give my opinions + classify them as does / doesn’t make sense, does / doesn’t compel me

heyyy surprise for you. yeah i actually was cleaning up my notes app today and realized I'd answered this and never posted this lol. gonna start off with a does make sense, does compel me and continue under the cut.

okay. hear me out. for a period of time I genuinely believe mayumiko was the gsnk duo closest to being, like, romantic. in a sense. horikashi, nozachiyo, and wakaseo have sure got a lot of development since then (in ch 60, kashima avoids hori and we get a REALLY good moment out of it) but like. just one chapter before that, we have ch 59. one of my favorite chapters. and at that point, I feel like the main couples have had their setup and they're really fun and comedic, but there hasn't been much... advancement, in a sense?

and then we hit ch 59, where "mayumayu" (nozaki mayu, who's been conned into posing as a girl) and "mamiko" (mikoshiba mikoto, who's posing as a girl so that he's not a creepy guy commenting on mayumayu's blog, unwittingly using the name of the protagonist of let's love by nozaki umetarou under alias of yumeno sakiko without knowing that he's the inspiration for the character's personality) basically immediately hit it off over text. seriously, past the first couple of texts where there's a bunch of people commenting on it, all they say is that they'll instantly reply to any texts that come their way. what commences is a hell of texting, probably, but it is a LOT of texting that happens. and that's not something that can be empty! both mikoshiba and mayu seem worn out by the amount of time they spend on it, but they don't seem worn out by each other in the slightest, judging by the fact that in ch 89, not only is mikoshiba still regularly checking mayumayu's blog, he's getting texts with extra art and well-wishes for his exams! they talk to each other about their lives! and it's not something that exists only online, too... mayu and mikoshiba are genuinely and obviously good friends outside of their online identities.

I'm aware not everyone sees it that way, but like, to me, ch 59 was like the most outright romantic the series had gotten. so it's very special to me. so is mayumiko! mayumiko’s so fun because they’re both soooo cool and soooo uncool. but while the mayumiko situation is objectively hilarious, the way they're friends is like... surprisingly understated? it's just something that happens and it works for both of them, even when it seems like it shouldn't. like, let's be real, mikoshiba can be kind of annoying, and mayu can be kind of grating. despite that they end up being really comfortable with each other. like. no wonder they could keep up that texting chain. they just click in general.

so we meet mayu in ch 33, and in ch 37, mikoshiba runs into him, and they've got this fun chapter together where miyako both compares them to cats. then in ch 49, mayu gets mikoshiba to lend him his... questionable? sure. questionable manga. calls him mikoto-san. and it just kind of... happens, them being friends. since they both hang out at nozaki's place. it's neat. in ch 64, post-The Incident, mikoshiba's comfortable enough to ask mayu for help with working out. and mayu knows mikoshiba enough to shout out the specific name of the fake high school from one of the games mikoshiba likes (sure, it's a super popular galge, but that's a strange thing to know well! especially for a guy who's traditionally lazy about everything but judo)

then of course we get to the mayu chapters where he's just so. iconic. in ch 76, mikoshiba needs to bring a guy to the mixer and then after nozaki rejects him sakura's like, ask mayu, who's been on the floor this whole time. side note i think its cute that when mikoshiba asks mayu, he calls himself "mikoshiba-nii-san." and mayu rejects him at first (also using "mikoshiba-nii-san" lol), but he ends up going once he's told he doesn't have to do that much work. and then he grills a girl about her boyfriend bc she says he does judo. and then tries to get some guy's number because he's apparently strong. judo freak (affectionate). and then, of course, as mikoshiba's thinking that "ah, they totally think mayu likes guys, but i guess it's fine since he doesn't seem to care" and when he's surrounded by girls mayu jumps in and says "he's mine," just like nozaki's shoujo manga advice had told him to do. love that for them. in ch 81, though it's a pain, mayu goes along with the idea that all the stuff in the back room is his and not mikoshiba's (though maybe he thought it was more of a pain to explain) and when talking about dating sims, mayu says, "well, guys or girls, both are pretty similar." love that guy for real.

then, in one of the moments of all time that make me insane, in ch 94, seo's pinning mikoshiba, and suddenly goes, it's boring without waka (makes sense! he's normally the guy she pushes around like this) and mikoshiba's like. oh! that's right! I haven't gotten a souvenir for mayu yet! (makes... sense...? because. because he's getting PINNED??? and we KNOW that mikoshiba hasn't done judo with mayu because it happens for the first time in ch 135, where after some really nice moments, mikoshiba sheepishly asks if mayu wants to try throwing him around too. it's a weird expression of care and also the fact that they're still friends after this fact, considering the violence nozaki translates it as, is a testament to their friendship.)

also in the extras for that volume, we see mikoshiba got him a smartphone case, which sucks because mayu's got a flip phone (though it's better than the hairpin nozaki got mayu) but then when mayu figures out a use for that smartphone case, he runs to mikoshiba to give him the good news! 'cause mikoshiba was sulking before... they're fun.

i think I've already said this but they really are close. and i think mayu's kinda clingy. in ch 114 when kashima rei asks to talk to him again, he's like, "go through mikoto-san." in ch 128 we find out that mayu shows girls in his class photos of mikoshiba so they make sure he doesn't get caught napping. this begs the question: HOW did this arrangement exist in the first place? because there's no way I can think about it that doesn't involve mayu and mikoshiba being at some level of closeness. and there's no way mayu can get so many nice looking photos of mikoshiba without being close to him. and in that same fucking chapter when nozaki’s making posts for his blog and turns mikoshiba into a girl, people think that he and mayu are dating. like oh my god. even in gekkan shoujo nozaki-san, when the main cast is meant to be a bit older than the canon timeline, mikoshiba and mayu are hanging out together at nozaki's place. and when mikoshiba and nozaki are getting all chummy with miyoshi, mayu walks in and he's like. ah. a challenger emerges (because he presumably wants to be pampered instead). my point is that they're close they just hang out. it's comfortable, which says a lot for both of them.

in ch 59 mayu's friends are like. his type is 1) someone who's stronger than him at judo or 2) someone older who'd take care of him and. mikoshiba's not #1 but he is #2. those two can be pretty sweetly considerate actually. as we see mayu gets dragged into quite a bit of stuff and does it. in ch 101 he actually finishes up the chapter of let's love while everyone's fallen asleep. and in the vol 14 extras mikoshiba gifts a water plant to a guy he barely knows. just because. so I feel like they're both sweet people underneath it all. and extra fact about ch 59 i know you'll feel crazy about. kobayashi (the guy who actually runs the mayumayu blog) calls mayu maa-kun. i am not joking.

anyways to me mikoshiba and mayu are both this weird security to each other. mayu’s someone who doesn’t care abt social graces and mikoshiba’s someone who cares too much. but when they’re weird to each other it’s like they accept everything. and I just think. despite all of the mistaken identity drama it’s like. idk. they just like each other. they just get along well. and for mikoshiba who’s so awkward with girls, this works out well. also the way that in ch 144 his fav ever gacha character is this kind of gloomy and lazy girl… fascinating thing you’re being charmed by. what a taste you have.

so in the end despite all of the wild situations i think it’ll be simple. mikoshiba will think a little too much and mayu a little too little. but they've gotten along well for so long that I think this will go pretty well, too. it'll just be a feeling that grows kind of slowly until it works for the two of them.

[xuyaak]

just came back from watching transformers one

OH MY FUCKINGHSHDISWJKSKWMSLW THAT WAS OHHH THAT WAS SOMETHING

(SPOILERS AHEAD LIKE I KNOW THAT MOST OF THE PEOPLE HAVE ALREADY WATCHED IT AND ONLY SLOWPOKES LIKE ME HAVENT BUT JUST IN CASE)

PaaleOEKSKWOWKAOWOWORIEEB I CANT CONTAIN MY EXCITEMENT. IT WAS BETTER MUCH FUCKING BETTER THAN I EXPECTED IT TO BE.

ohh i dont even know where to start… well i guess i should state the obvious: GRAPHICS ARE ABSOLUTELY GOAT. its not just about textures, colors and lighting (which are peak honestly i wanted to eat every single frame), but about… how do i say… the feeling of size, volume, construction. its hard to explain, but i think you’ll get what i mean - the way characters feel, the way environment feels, the way interactions between characters and between characters and environment feel. things feel REAL and this is. just fucking AWESOME.

but ofc good graphics can’t save the movie from being garbage. BUT THE PLOT CAN.

honestly, i did not expect the plot to be SO GOOD (especially considering that for the last decade the only transformers we’ve seen on big screens was bayverse… that isnt famous for deep story)

At first, this whole new vision of the great war’s origin is a HUGE breeze of fresh air (so huge its not just a breeze anymore ig). the whole story with war with quintessons, sentinel’s betrayal (ASSHOLE), and miners basically being cogless slaves… damn thats something. (also i especially liked the idea of starscream being a leader before megatron and talking to him as to somebody of lower position. and then fleeing. this mf just cant be the leader. anyway the whole higher guard thing is the topic for another talk)

but wait wait there is orion and d-16’ relationship. probably THE BEST thing in this movie. its oh its just… well, at first, these are probably versions of optimus and megatron that have the closest relationship in the whole franchise. and thats just simply because they start as equals: just two miners who are working together in the dangerous environment almost like slaves, and take care of each other. but their relationships are so tender, so caring… because they don’t really have anything besides their friendship ig? well ofc there are dreams of finding the matrix and taking iacon out of crisis so they don’t really have to work in the mines…. but, its all just dreams, the only real thing that they have right here and right now is each other.

but then came the power. oh yes it did. and you know what happened next. megatron chose revenge because HE was deceived. HIS whole life was a lie. bro doesn’t really think about other cybertronians as much as he cares about himself and oh god it shows. while optimus thought about the people and only then about himself. and thats the true reason behind their conflict, its not the question of violent/pacifistic way to achieve the goal, its about what matters to them.

and we could actually see that even before the team gets their cogs:

“did you do it for me?”

“no, i did it for us”

this “us” is not just they two, this “us” is the whole cast of miners. i mean considering just WHAT participation in this race meant for miners. they arent worthless slaves, they are capable of doing better than this! this is what orion wanted to show. both to his fellow miners and to regular cybertronians.

well im out of words for now. its clear as day that ill come back to tf one more than one more time. ive got really inspired and yes its going to last.

thank you if you actually read all of this. im so glad that somebody listened :3333